Song: "The Riviera Affair" by Neil Richardson
Released: 1970
Why's it part of the "Rock Box" playlist?: When I first saw Ocean's Thirteen, I dug the old-sounding Warner Bros./Village Roadshow logo music.
I wasn't aware that the logo graphics and music were a reference to '70s and '80s TV, in keeping with the film's nostalgia for things like '60s and '70s caper flicks and the camaraderie of the Rat Packers who starred in the original version of Ocean's Eleven (as heard in "You shook Sinatra's hand," the film's frequently repeated line to Al Pacino's villainous character about how much of a backstabbing asshole he's become). I didn't grow up in New York, so I learned on YouTube that the swanky Ocean's Thirteen logo music--"The Riviera Affair," a library music cue written by British composer Neil Richardson, who died in October at the age of 80--was the same instrumental that used to open and close the "4 O'Clock Movie" broadcasts on New York's WOR.
Steven Soderbergh's shout-out to the WOR movie broadcast graphics is the director's way of saying, "Ocean's Thirteen is just like those old, breezy caper flicks that used to turn up at 4:00 on WOR."
Richardson's instrumental was left off the Ocean's Thirteen soundtrack album, but it's part of 1996's Sound Gallery '60s and '70s library music instrumental compilation. An Amazon.com user review of The Sound Gallery sums up "The Riviera Affair" well. "Picture David Janssen and Diana Rigg cruising in a turquoise convertible along the open highway with the wind in their hair and the glorious possibilities of the future before them," says the reviewer. "This will give you just a small idea of how glorious and transcendent this tune is!!"
True, although when I hear "The Riviera Affair" and picture nearly the same thing--a relaxed playa cruising in a turquoise convertible along the open highway with his woman by his side--the twitchy star of the original Fugitive TV series doesn't exactly come to mind.
In 2009, another one of Richardson's loungy library music instrumentals was used to great effect when director Michel Hazanavicius gave ample screen time to Richardson's "Rio Magic" in the French spy spoof sequel OSS 117: Lost In Rio.
All the other "Rock Box" Tracks of the Day from this week:
Iggy and the Stooges, "Search and Destroy"
Raekwon feat. Inspectah Deck, Ghostface Killah and GZA, "Guillotine (Swordz)"
Dinah Washington, "This Bitter Earth"
Earth, Wind & Fire, "Reasons"
Showing posts with label Al Pacino. Show all posts
Showing posts with label Al Pacino. Show all posts
Friday, 11 February 2011
"Rock Box" Track of the Day: Neil Richardson, "The Riviera Affair"
Friday, 14 January 2011
"Rock Box" Track of the Day: Elton John, "Amoreena"

Released: 1970
Why's it part of the "Rock Box" playlist?: It's featured in my favorite Al Pacino movie, Dog Day Afternoon.
Which moment in Dog Day Afternoon does it appear?: The opening credits.
Earlier this week, New York magazine film critic David Edelstein named Sidney Lumet's 1975 classic his favorite New York movie because of the soulfulness Pacino brought to Sonny, one of many New York characters he's played in his career, and the way the film turns "the whole crazy paradox of acting, of being private in public" into a metaphor for life in the big city. The opening montage of grimy '70s New York in the summertime--beautifully assembled by legendary editor Dede Allen (who died last April) and accompanied by John's lazy-day tune "Amoreena," the only non-diegetic piece of music in the film--is one of the reasons why Dog Day always winds up in discussions of greatest New York movies like Edelstein's.
Embedding was disabled for the clip of the Dog Day opening that was posted on YouTube, so view the sequence here.
All the other "Rock Box" Tracks of the Day from this week:
Stevie Wonder, "I Believe (When I Fall in Love It Will Be Forever)"
Madvillain feat. M.E.D. a.k.a. Medaphoar, "Raid"
The Who, "I'm One"
Puccio Roelens, "Caravan"
Friday, 16 July 2010
Who's That Voice on A Fistful of Soundtracks? #4: Hugh Morgan

Hugh Morgan
Who is he?: Not to be confused with Fun Lovin' Criminals frontman Hugh "Huey" Morgan, former WQXR classical music radio DJ and Face the Nation announcer Hugh Morgan has one of the most distinctive voices from the current crop of trailer announcers. His delivery is like a cross between George Takei and an accent-less, not-so-mumbly Sylvester Stallone.
Most memorable voice work: "Scooby Snacks." Kidding!
Back to seriousness. Most memorable voice work: It's a toss-up between Morgan's voiceovers for the Matrix TV spots and his narration during the White Noise trailers and ads, the most eerie of Morgan's many horror trailer voiceovers.
When can you hear him on the Fistful of Soundtracks channel?: The trailers for The Matrix Revolutions, Rosewood, The Last of the Mohicans and Heat. As I said once before, when I was a university freshman, Heat's tantalizing trailers and TV spots got me sold on the teaming of Pacino, De Niro and Michael Mann. But having to buy that Pacino could kick Henry Rollins' ass--not so much.
Previous "Who's That Voice?" bios:
Paul Frees
Percy Rodrigues
Adolph Caesar
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