Showing posts with label Hanna. Show all posts
Showing posts with label Hanna. Show all posts

Tuesday, 23 August 2011

That's the Attack the Block score that you're hearing on A Fistful of Soundtracks, bruv, believe it




Brother's gonna give this gorilla wolf motherfucker the teeth brushing to end all teeth brushings.
(Photo source: Alex Pardee)
Back in March, I said, "Add The Chemical Brothers' richly written and often dance floor-friendly original score from the teenage assassin thriller Hanna to the list of awesome scores by electronica or rock musicians who never scored for film before." It's time to add another one.

Set in a rough South London neighborhood attacked by "gorilla wolf muthafuckas" from outer space, the British cult favorite Attack the Block is the best popcorn movie this summer. Beleedat. (Most American moviegoers still haven't heard of Attack the Block, but Screen Gems has been hoping to change that by expanding Attack the Block's release to six more cities last week.) One of the movie's most enjoyable elements is the original score, the first ever written by the British dance act Basement Jaxx, whose tunes have often popped up in advertising (my first exposure to Basement Jaxx was an early '00s Coke ad that featured a group of svelte campfire partiers and an isolated and not-as-svelte nerd dancing in the woods to the catchy "Red Alert," while "Do Your Thing" was all over Disney's ads for Ratatouille).

Basement Jaxx (a.k.a. Felix Buxton and Simon Ratcliffe) co-composed the score with Scott Pilgrim vs. the World music editor Steven Price, and their score accomplishes well what it set out to do, which, according to Attack the Block writer/director Joe Cornish in the score album's liner notes, was "to do the things that film scores used to do. To be as exciting and escapist as a John Williams adventure, and as gritty and percussive as the great John Carpenter's electronic scores."

Carpenter's Assault on Precinct 13 theme is so beloved by beatmakers that its influence can be felt in many of their instrumentals, including Buxton, Ratcliffe and Price's cues in Attack the Block. Starting this week, my favorite Attack the Block cues attack three blocks on A Fistful of Soundtracks: "Assorted Fistful," "New Cue Revue" and "The Street." One of these selections that I've added to rotation is the bagpipes-filled, dubstep-style end title theme "The Ends."

Basement Jaxx - "The Ends" from "Attack The Block" by Basement Jaxx

Attack the Block is inventive sci-fi with a youth of color as the lead for a change, as well as an inspired critique of the demonization of the working class in the U.K. A one-time mugging victim who wanted to better understand his muggers and their lives instead of being resentful and fearful of them, Cornish takes working-class kids like Moses (John Boyega) and the bespectacled and brainy Jerome (Leeon Jones) (their mugging of Jodie Whittaker's nurse/neighbor character Sam at the start of the film was based on the incident Cornish experienced) and fleshes out those characters to prove the irrationality of demonizing the underclass.

"At the beginning of the film these kids are masked, they're hooded, you don't know how old they are, you have no sense of their humanity or identity and indeed, with their language, you're confused, you're alienated from them," said Cornish to RopeofSilicon. "Then the purpose of the story is to strip away all those barriers and to make you understand they're human beings. Not perfectly good, squeaky clean human beings, flawed human beings like all of us."

On Twitter, I've seen people say they refuse to give Attack the Block the time of day because its ads' imagery of South London "hoodies" violently defending their council estate from alien invaders either reminds them too much of the U.K. riots (which erupted a few weeks after the movie hit American theaters) or appears to condone those riots. They're inanely passing judgment on a movie they haven't seen. Attack the Block is hardly as one-dimensional as they think. It's a story about the consequences of thuggish behavior, whether it's the hoodies' mugging of Sam and Moses' killing of the alien at the start of the film or the looting that went down in the U.K. riots.

"People really suggested the riots in my home town were linked to the movie? Unbelievable," tweeted BBC journalist Ben Fell to an Attack the Block fan after he saw Twitterers denounce the movie before watching it.

To borrow the title and chorus of one of Basement Jaxx's biggest hits, I'd like to say to the haters, "Where's your head at?!"

Related links:
"Too Much Madness to Explain in One Text: On the U.K. Riots and Attack the Block" [The Playlist]
"'We're Not All Vile Thugs'" (an Attack the Block cast member blasts both the looters and the London police) [Daily Star]
"Rap responds to the riots: 'They have to take us seriously'" [Guardian]




In Attack the Block, the white preteen hoodie named Pest tells Sam, the film's nurse heroine, that she's 'fit.' That's U.K. slang for 'Take my virginity now.'
(Photo source: RopeofSilicon)

Monday, 28 March 2011

14 favorite elements of songs I currently have on rotation while I create artwork for my own book

Kanye takes a minute to ogle his own reflection on the top of the cop car.
1. The cinematic-sounding French horn lines during Kanye West's "All of the Lights"
Ye is a modern-day Mozart--as in batshit crazy, but a total musical genius.



The Kidz Bop cover version of this is entitled 'My Gosh.' Bill Maher's atheist version is called 'My Bong.'
2. The military drums during Pusha T's "My God"

Fuck the cast of K-Town, that Koreatown version of Jersey Shore that MTV recently put the K-bosh on. Trebles and Blues is the kind of person Koreatown should be hyping. Unlike the cast of K-Town--or anyone who's a cast member of any reality show--Trebles and Blues has something called talent.
(Photo source: Trebles and Blues)
3. The piano sample during Trebles and Blues' "The Tempo"

4. The handclaps during The New Pornographers' "Sweet Talk, Sweet Talk"



I've watched the Chemical Brothers 'Setting Sun' video over and over for so many years, and I never knew until recently that the raver chick in the video was Emilia Fox from The Pianist and Merlin. Watching the 'Setting Sun' video now with the full knowledge that it's Emilia Fox is weird--as in Christina Hendricks-showing-up-in-an-old-Everclear-video-not-looking-very-1960s-ish weird.
5. The bloops that open The Chemical Brothers' "Car Chase (Arp Worship)" from the Hanna score

6. The bass line of Lyrics Born and Sam Sparro's "Coulda Woulda Shoulda"

7. The really tight brass section during The Heavy's live 2010 performance of "That Kind of Man" for KEXP

8. The "Love You Save"-esque beat of Dennis Coffey and Mayer Hawthorne's "All Your Goodies Are Gone"

9. Dres' flow during the Black Sheep track "Elevation"



The sign that Bambu is flashing is a sign that says he's a fan of The La's, the one-hit wonder band that's best known for 'There She Goes.'
10. Bambu's delivery of "I used to sit in church and look at the stained glass and wonder why none of them look like me" during "Misused"

Daft Punk provides Michael Sheen with the perfect soundtrack to chew the scenery to during Tron: Legacy.
11. The electronic bass line of Daft Punk's Tron: Legacy end credits cue "Solar Sailer"

12. Ernie Isley's smokin' guitar solo at the end of The Isley Brothers' "Summer Breeze"
I only listen to that cover of sappy Seals and Crofts just to get to that guitar solo.



13. Teena Marie (R.I.P.) leading the female half of the Long Beach audience in a playful battle of the sexes with Rick James over which gender is louder during the live 1981 version of "I'm a Sucker for Love" that's on the deluxe edition CD of Street Songs

14. "The Michael McDonald of the rap game," Nate Dogg (R.I.P.), proving he wasn't your father's Michael McDonald when he crooned "And you even licked my balls" during Snoop Dogg's "Ain't No Fun (If the Homies Can't Have None)"

Tuesday, 15 March 2011

The killer sounds of The Chemical Brothers' Hanna score are now on "Assorted Fistful" on A Fistful of Soundtracks

And now, Woody Allen movies mashed up with action flicks for no particular reason. Hanna and Her Sisters. Match Point Break. Love and Death Race. Sweet and Lowdown Dirty Shame.
I know I said I wouldn't be blogging here for a while, but a lot of great new music has made me want to temporarily break my silence and post a few items today.

Add The Chemical Brothers' richly written and often dance floor-friendly original score from the teenage assassin thriller Hanna to the list of awesome scores by electronica or rock musicians who never scored for film before. It joins a list that includes 1999's Fight Club score by The Dust Brothers (hey, for a couple of years, The Chemical Brothers recorded under that name as well) and the recent Tron: Legacy score by Daft Punk. The Hanna score, which is available only as a digital download from iTunes starting today, joins another list too: the "Assorted Fistful" playlist on A Fistful of Soundtracks.

I caught The Chembruhs' full album stream of their soundtrack a few days ago and was impressed with cuts like "Car Chase (Arp Worship)" and "Container Park." Hanna, which has the little girl from Atonement going all Hit-Girl on CIA assassins (but only up to a PG-13-level point), was made by Atonement director Joe Wright and is the filmmaker's first foray into Bourne-style mayhem. We won't know until its April 8 release date if Hanna is another Tron: Legacy-like case where the score outshines the movie, but in the meantime, pay a visit to "Container Park" (below) and check out other highlights of the score during the "Assorted Fistful" and "New Cue Revue" blocks on AFOS.

Container Park by The Chemical Brothers by Hannamovie