Song: "Too Hot to Stop" by The Bar-Kays
Released: 1976
Why's it part of the "Rock Box" playlist?: It accompanies both the Foxy Brown-style opening credits of Superbad and Bernie Mac's slap-happy entrance scene in Head of State. In Superbad, "Too Hot to Stop" was an immediate sign that the Apatow production's soundtrack was going to be anything but irritatingly twee ("I want to tongue kiss whoever decided to keep the movie devoid of any twee music. Seriously, I do. Preferably with a Curtis Mayfield song blasting," wrote film blogger Kim Morgan in 2007). The 1976 tune is from the Mercury Records-era incarnation of The Bar-Kays, which opted for more of a P-Funk-influenced sound than the Stax-era incarnation that gave us 1967's "Soul Finger" (a classic I first heard while watching Spies Like Us as a kid).
Because of its line "I don't mind if I'm considered uncool," "Too Hot to Stop" was a fitting choice for a film that involves a kid like McLovin who doesn't care how uncool he looks when he tries to spit game. Too bad Superbad couldn't find some way to work in The Bar-Kays' equally fitting 1981 jam "Freaky Behavior" during the party scenes or the moments of awkward second base.
Showing posts with label Superbad. Show all posts
Showing posts with label Superbad. Show all posts
Monday, 21 February 2011
Friday, 7 January 2011
"Rock Box" Track of the Day: The Roots, "Here I Come"
Song: "Here I Come" by The Roots featuring Malik B. & Dice Raw
Released: 2006
Why's it part of the "Rock Box" playlist?: It's featured in Superbad. (JANUARY 19, 2011 UPDATE: It also turns up in the Hancock closing credits.) "Here I Come" is the most upbeat (and party-friendly, hence its inclusion in Superbad) track on 2006's Game Theory, The Roots' most militant and brooding-sounding album. Game Theory was a bold move for their first album for Def Jam, a label that many feared would interfere with The Roots' sound and force the band to be more mainstream (luckily, Def Jam's been hands-off). You may be more familiar with the faster-paced version of "Here I Come" that The Roots perform each weeknight during the opening titles and end credits of Late Night with Jimmy Fallon. Dammit, Fallon! That was supposed to be the theme song for my talk show! You know, the one I host in my basement with my special guests, a cardboard cutout of Liza Minnelli and a cardboard cutout of Jerry Lewis?
Which moment in Superbad does it appear?: The scene where Jonah Hill, Michael Cera and Christopher Mintz-Plasse finally arrive at Emma Stone's party.
Speaking of Superbad, last night's Daily Show superimposed the face of a crying John Boehner from 60 Minutes over the body of McLovin while he lost his virginity in the movie. That cracked my ish up.
Hear Black Thought, Malik B. and Dice Raw disturb the peace at my SwiftFM site.
All the other "Rock Box" Tracks of the Day from this week:
Classic & 86, "Ridin'"
Pulp, "Like a Friend"
Run-DMC, "Rock Box"
The Crystal Method, "Starting Over"
Released: 2006
Why's it part of the "Rock Box" playlist?: It's featured in Superbad. (JANUARY 19, 2011 UPDATE: It also turns up in the Hancock closing credits.) "Here I Come" is the most upbeat (and party-friendly, hence its inclusion in Superbad) track on 2006's Game Theory, The Roots' most militant and brooding-sounding album. Game Theory was a bold move for their first album for Def Jam, a label that many feared would interfere with The Roots' sound and force the band to be more mainstream (luckily, Def Jam's been hands-off). You may be more familiar with the faster-paced version of "Here I Come" that The Roots perform each weeknight during the opening titles and end credits of Late Night with Jimmy Fallon. Dammit, Fallon! That was supposed to be the theme song for my talk show! You know, the one I host in my basement with my special guests, a cardboard cutout of Liza Minnelli and a cardboard cutout of Jerry Lewis?
Which moment in Superbad does it appear?: The scene where Jonah Hill, Michael Cera and Christopher Mintz-Plasse finally arrive at Emma Stone's party.
Speaking of Superbad, last night's Daily Show superimposed the face of a crying John Boehner from 60 Minutes over the body of McLovin while he lost his virginity in the movie. That cracked my ish up.
Hear Black Thought, Malik B. and Dice Raw disturb the peace at my SwiftFM site.
All the other "Rock Box" Tracks of the Day from this week:
Classic & 86, "Ridin'"
Pulp, "Like a Friend"
Run-DMC, "Rock Box"
The Crystal Method, "Starting Over"
Tuesday, 3 February 2009
AFOS: "Funk in the Trunk" playlist
Airing this week on the Fistful of Soundtracks channel is the 2008 Fistful of Soundtracks: The Series episode "Funk in the Trunk" (WEB92). jim.aquino.com is no longer online, as are all the pre-WEB97 playlists I posted on that site, so I'm reposting each playlist as each pre-WEB97 ep reairs.

1. Lyle Workman, "Flashback Party Weekend," Superbad, Lakeshore
2. Lyle Workman, "SuperWhat?," Superbad, Lakeshore
3. The Four Tops, "Are You Man Enough (End Title)," Shaft in Africa, Hip-O Select/Geffen
4. Quincy Jones with the Don Elliot Voices, "Money Runner" (from $), The Reel Quincy Jones, Hip-O
5. James Brown, "People Get Up and Drive Your Funky Soul (remix)" (originally recorded for Slaughter's Big Rip-Off), Motherlode, Polydor
6. Lalo Schifrin, "Main Titles (Alternate)," Enter the Dragon, Warner Home Video
7. Antonio Pinto, "O Polígamo," City of Men, Lakeshore
8. Lyle Workman, "Evan's Basement Jam," Superbad, Lakeshore
9. Curtis Mayfield, "Superfly," Superfly: Deluxe 25th Anniversary Edition, Curtom/Rhino
10. Gladys Knight & the Pips, "On and On" (from Claudine), Funk on Film, Chronicles/PolyGram
11. Ennio Morricone, "Allegretto Per Signora" (from The Forbidden Photos of a Lady Above Suspicion), Mondo Morricone Revisited, Royal Ear Force
12. David Holmes, "S***! S***! S***!," Ocean's Thirteen, Warner Sunset/Warner Bros.
13. Theodore Shapiro, "Two Dragons," Starsky & Hutch, TVT Soundtrax
14. Flight of the Conchords, "Business Time," The Distant Future, Sub Pop
Repeats of A Fistful of Soundtracks: The Series air Monday night at midnight, Tuesday and Thursday at 4am, 10am, 3pm, 7pm and 11pm, Wednesday night at midnight, and Saturday and Sunday at 7am, 9am, 11am, 1pm, 3pm and 5pm.

1. Lyle Workman, "Flashback Party Weekend," Superbad, Lakeshore
2. Lyle Workman, "SuperWhat?," Superbad, Lakeshore
3. The Four Tops, "Are You Man Enough (End Title)," Shaft in Africa, Hip-O Select/Geffen
4. Quincy Jones with the Don Elliot Voices, "Money Runner" (from $), The Reel Quincy Jones, Hip-O
5. James Brown, "People Get Up and Drive Your Funky Soul (remix)" (originally recorded for Slaughter's Big Rip-Off), Motherlode, Polydor
6. Lalo Schifrin, "Main Titles (Alternate)," Enter the Dragon, Warner Home Video
7. Antonio Pinto, "O Polígamo," City of Men, Lakeshore
8. Lyle Workman, "Evan's Basement Jam," Superbad, Lakeshore
9. Curtis Mayfield, "Superfly," Superfly: Deluxe 25th Anniversary Edition, Curtom/Rhino
10. Gladys Knight & the Pips, "On and On" (from Claudine), Funk on Film, Chronicles/PolyGram
11. Ennio Morricone, "Allegretto Per Signora" (from The Forbidden Photos of a Lady Above Suspicion), Mondo Morricone Revisited, Royal Ear Force
12. David Holmes, "S***! S***! S***!," Ocean's Thirteen, Warner Sunset/Warner Bros.
13. Theodore Shapiro, "Two Dragons," Starsky & Hutch, TVT Soundtrax
14. Flight of the Conchords, "Business Time," The Distant Future, Sub Pop
Repeats of A Fistful of Soundtracks: The Series air Monday night at midnight, Tuesday and Thursday at 4am, 10am, 3pm, 7pm and 11pm, Wednesday night at midnight, and Saturday and Sunday at 7am, 9am, 11am, 1pm, 3pm and 5pm.
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