Showing posts with label Enter the Dragon. Show all posts
Showing posts with label Enter the Dragon. Show all posts

Wednesday, 10 June 2009

Enter the "Sampler": June Park vs. Ting and Joe

Female Secret Identities characters at work, by A.L. Baroza. From left to right: Karin from 'Meet Joe,' Candace (Tin Candy) Koh from 'A Day at CostumeCo,' June Park from 'Sampler,' Val (Valentine) Chang from 'CostumeCo,' and Ting Lee from 'You Are What You Eat.'
Slant Eye for the Round Eye has posted a lengthy but terrific interview with three of my Secret Identities: The Asian American Superhero Anthology editors, Jeff Yang, Parry Shen and Keith Chow.

Props to Jeff for a well-thought out response to Racialicious contributor Sunny Kim's criticisms(*) about the novel (it's more East Asian than Asian, and where the hell are the heroes who are Southeast Asian or gay?), and for admitting that yes, the novel should have featured more characters from either of those segments of the diverse and complex Asian American diaspora. The minimal representations of Southeast Asians and Pacific Islanders were one beef I had for a while with my own anthology because I'm Filipino myself (when Jeff wanted to replace MaƱanaman, a Tomorrow People-inspired Filipino background character in "Sampler," with one of the Chinese characters from his story, "A Day at CostumeCo," I told him, "No, the character should be brown because there should be more of us in the novel"). My beef died down when I was relieved to see a Pinay heroine in Greg LaRocque's "Trinity."

In fact, Pinoys were the lead characters in two story ideas of mine that the editors rejected in favor of "Sampler," which centered on a Korean heroine I based partly on the then-beleaguered Chung dry cleaner family. (I went into detail about my rejected Secret Identities ideas during big WOWO's podcast, which you can listen to here or as a direct download.) While I was gratified that the editors chose one of my story ideas, I'll admit to also being disappointed that Pinoys got the shaft once again. But I learned to deal with it and decided to maybe save those rejected brown heroes for a separate project where I'd have more control over their development, like say, for instance, a Filipino American hero anthology (you in, Baroza?). I knew Secret Identities was going to be an East Asian-centric book because the editors were all East Asian (if I were in charge, of course I'd opt for more Southeast Asian characters than East Asian ones), and I was also aware that this was their very first major graphic novel project, so they were bound to make mistakes. Plus, they had to work under insane budgetary and page-related restrictions(**), so not all the various Asian American subgroups that they would have liked to have seen represented were going to make it into an already crowded anthology, although to echo what Secret Identities reader Christina Chou said in a tweet, I wish the stories were allowed to be longer. You can't win 'em all.

(*) big WOWO has posted an insightful response to the Racialicious criticisms, which he says are part of a troubling and frustrating trend: "Someone will try to create something, and another person will step in and try to overdiversify it to death. They'll complain about one thing or another until they've managed to sink the project... Had Jeff edited a work that perpetuated racism, or pushed the same ol' WM/AF storylines, or did something else egregiously bad, I'd say go ahead, let him have it. But to quibble over something as vast and undefinable as diversity makes zero sense. It's petty."

(**) The fact that they managed to get this thing completed while dealing with all those obstacles is a superfeat in itself. If it weren't for what the DISGRASIAN bloggers call that Hardass Asian Parent upbringing, this book would never have dropped on April 14 or 15 or whatever the hell the street date was.

That's why we need everyone to support this novel--so that it's popular enough to spawn a second volume where we can rectify the mistakes we made on the first one.

And if you weren't satisfied with this Asian American hero book, stop complaining and start your own book! This shouldn't be the only collection of Asian American heroes out there.

Three enter. Two must leave. From left to right: June Park from 'Sampler,' Ting Lee from 'You Are What You Eat' and Joe from 'Meet Joe.'
All in all, the Secret Identities editors' chat on Slant Eye's blog is a must-read. But the best part of the interview is a question about my creation, June Park from "Sampler," and a couple of other Secret Identities heroes, Ting Lee, a teen who's able to manipulate heat from foods she eats in "You Are What You Eat," and the super-strong, lightning-quick title character of "Meet Joe":
Last question. Who wins in a superhero cage match: Lynnn Chen's Ting, Koji Steven Sakai's Joe, or Jimmy Aquino's June?

KC: That's an interesting collection of characters doing battle. There must be some evil overlord forcing them to fight each other (think Han from "Enter the Dragon.") I say they team up and go after Han.

JY: I love/hate this game! It's the fanboy's ultimate smackdown, "Who Would Kick Whose Ass?" And the answer is always Wolverine, because of ADAMANTIUM and CLAWS and HEALING FACTOR, even if it's Wolverine vs. Galactus or whatever.

Anyway, I hope the next generation of fanboys and fangirls end up playing WWKWA with
SI's characters. Here's my take. Ting is screwed because she's dependent on food. If there isn't a ham sandwich in the ring, what's she going to do? If you have this battle royale at the Cracker Barrel buffet, watch out, kids, but you mention "cage match" so I'm assuming not.

Joe's problem is that, by definition, his powers are just what every Asian can do, right? I mean, can't you crush a brick with a single blow of your mighty yellow fist? I know I can. So, put him in a ring with non-Asians, and he's deadly, but against his own kind, he is effectively countered at all turns. Plus, he's the only guy in the ring, and I suspect he'd pull his punches, which would only really piss off the ultimate winner in this battle, June Park.
Yes!
June's Sampling ability (and her ever-present swatches of costume fabric) would put her combat skillz way above the less flexible powers of her opponents. At least, until Wolverine enters the ring and smokes her with his adamantium/claws/healing factor, FTW!
Noooo! Go back to Vancouver, ya hairspray-drenched prick!
PS: It would be a real nail-biter. Joe would be in a dilemma -- afterall, he's a gentleman and would never strike a woman. So to end this quickly, he chooses the lesser of two evils -- June wears glasses and he's always been taught to never hit anyone with glassses, so he mathmatically figures out the best vector to leap at Ting and take her out with a quick nerve pinch.

Ting sees this and whips out a Chili Pepper stashed in her utility belt - gulps it down and bursts into flames by going Super Nova - temporarily blinding Joe and knocking him unconcious.

Ting then turns to June, and sends a flare from her fingers - June dodges aside and the flame scorches her favorite "I SUCK AT MATH" Blacklava shirt.
All this yellow-on-yellow violence is killing me inside. [*Sniffle*] Can't we all just get along?

God, the text in this final version of the panel is so much better than how Jeff Yang wrote it previously. He had June say, 'That was my favorite shirt, you D-bag!' Who the fuck says it like that? 'YOU D-bag'? That was one of many differences in opinion I had with Jeff over how the characters in 'Sampler' should talk.
Anger flares up behind June's spectacles and Ting sees she is in trouble. She tries a different tactic, reaches into a punch on her utility belt and munches on a cucumber to freeze the moisture in June's body and knock her out - but June simply touches the utility belt absorbs all of Ting's Yin/Yin food conversion projectile abilities and Ting is met with a blasts of fire and ice -- and instantly knocks her to the ground with a really bad cold and uncontrollably sneezing for days. The winner: JUNE
Yes!! What what! Pay up, foolz! Cue the victorious Enter the Dragon end title theme!

Friday, 22 May 2009

Ain't that a kick in the head: Bruce Lee and Enter the Dragon still amaze

Exit the screenwriter. Bruce Lee disagreed with Enter the Dragon's scriptwriter so much he ordered him off the set.
Throughout this year, I'm posting older material--like non-Blogspot posts from a few years ago, unpublished writing I've kept hidden in my computer and transcripts of Q&As from A Fistful of Soundtracks' terrestrial radio years.

Because it's Asian Pacific American Heritage Month, I've dug up a 1998 article that I wrote for the UC Santa Cruz publication Primer to celebrate what was then the 25th anniversary of a pivotal movie in the history of Asian American cinema, as well as one of the few martial arts flicks I like (just because I'm Asian doesn't mean I have to be a fan of the martial arts genre). Some hardcore martial arts genre fans will argue that Enter the Dragon shortchanges Bruce Lee or that it's too Hollywood and too derivative of the 007 franchise, but because I'm not a hardcore martial arts fan, I don't have the same gripes as they do.

Okay, maybe I'm with them on the "What the hell is John Saxon doing here?" thing. ("America had no idea that [Saxon] was also a practicing martial artist... He first became involved in the martial arts when he was 15 years old, initially studying judo and then taking up karate," wrote author John Little in the Enter the Dragon: The Making of a Classic Motion Picture book that Warner Home Video included in the 1998 Enter the Dragon VHS and DVD gift sets.) But otherwise, Enter the Dragon never fails to entertain, and it features the most badass score ever written for an Asian American action hero: the frequently sampled score by Lalo Schifrin, whose Mission: Impossible theme was one of Lee's favorite pieces of workout music.

---------------

Bruce Lee wipes the floor with a young Jackie Chan's ass.
Ain't that a kick in the head: Bruce Lee and Enter the Dragon still amaze after 25 years

By Jimmy Aquino


Bruce Lee made only five films and the then-unfinished Game of Death before he died from a mysterious swelling of the brain (or died from a curse or was assassinated, if you believe the conspiracy theorists) in Hong Kong on July 20, 1973, but 25 years later, fans are still flocking to his movies and kneeling at the church of jeet kune do, Lee's revolutionary kung fu technique emphasizing "the way of the intercepting fist."

Lee's female admirers make pilgrimages to Hong Kong. Men of all colors want to be like Lee, who taught martial arts to students of all races, creeds, genders and backgrounds, unlike his kung fu teacher elders, who were opposed to teaching students who weren't Chinese.

The first martial arts superstar, Lee was a genuine fighter and a charismatic actor (I'm not saying Lee was De Niro, but his "emotional content" speech in Enter the Dragon has more soul and passion than what passes for acting in Jean-Claude Van Damme and Steven Seagal movies). Not even charismatically challenged poseurs like Van Damme, the faded Seagal and David Carradine could erase the memory of the lightning-quick legend nicknamed the Dragon, a pioneer in Asian American cinema who sought stardom on his own when racist Hollywood spurned him because producers didn't think an Asian man could sell tickets or rack up Nielsens. (Van Damme, the post-Under Siege Seagal and Carradine are to martial arts what Vanilla Ice was to hip-hop. Put these has-beens in a room with Lee, and he'd automatically win the throwdown, with moves like the 13 punches he could throw in half a second.)

Mirror, mirror on the wall, who's the dopest of them all?
Enter the Dragon made Hollywood put its foot in its mouth. Released a few weeks after Lee's death, the film was his most popular work, and it made him the first Asian male sex symbol. (Bruce's son Brandon also found stardom posthumously, with 1994's The Crow.) To mark its 25th anniversary, Warner Bros. re-released Enter the Dragon in Lee's birthplace, San Francisco, and put out a highly anticipated DVD. The movie still holds up well today. The script is standard kung fu B-movie material, but Lee is at his most charismatic, the production values are stunning and the martial arts choreography is legendary. As SF Weekly's Michael Sragow said, Lee makes his choreographed moves look spontaneous. Lee's fighting style is, as his character describes it in the film, "the art of fighting without fighting."

Primer dedicates this page to the man who once said, "The end of heroes is the same as ordinary men. They all die and gradually fade away in the memory of man." Famous last words from someone whose memory has hardly faded at all. (To the managers of the Nickelodeon or the Rio, if you're reading this, please bring Enter the Dragon to Santa Cruz or we're gonna have to get kung fu on your asses!)

Tuesday, 3 February 2009

AFOS: "Funk in the Trunk" playlist

Airing this week on the Fistful of Soundtracks channel is the 2008 Fistful of Soundtracks: The Series episode "Funk in the Trunk" (WEB92). jim.aquino.com is no longer online, as are all the pre-WEB97 playlists I posted on that site, so I'm reposting each playlist as each pre-WEB97 ep reairs.

Everybody in this bitch gettin' tipsy.
1. Lyle Workman, "Flashback Party Weekend," Superbad, Lakeshore
2. Lyle Workman, "SuperWhat?," Superbad, Lakeshore
3. The Four Tops, "Are You Man Enough (End Title)," Shaft in Africa, Hip-O Select/Geffen
4. Quincy Jones with the Don Elliot Voices, "Money Runner" (from $), The Reel Quincy Jones, Hip-O
5. James Brown, "People Get Up and Drive Your Funky Soul (remix)" (originally recorded for Slaughter's Big Rip-Off), Motherlode, Polydor
6. Lalo Schifrin, "Main Titles (Alternate)," Enter the Dragon, Warner Home Video
7. Antonio Pinto, "O Polígamo," City of Men, Lakeshore
8. Lyle Workman, "Evan's Basement Jam," Superbad, Lakeshore
9. Curtis Mayfield, "Superfly," Superfly: Deluxe 25th Anniversary Edition, Curtom/Rhino
10. Gladys Knight & the Pips, "On and On" (from Claudine), Funk on Film, Chronicles/PolyGram
11. Ennio Morricone, "Allegretto Per Signora" (from The Forbidden Photos of a Lady Above Suspicion), Mondo Morricone Revisited, Royal Ear Force
12. David Holmes, "S***! S***! S***!," Ocean's Thirteen, Warner Sunset/Warner Bros.
13. Theodore Shapiro, "Two Dragons," Starsky & Hutch, TVT Soundtrax
14. Flight of the Conchords, "Business Time," The Distant Future, Sub Pop

Repeats of A Fistful of Soundtracks: The Series air Monday night at midnight, Tuesday and Thursday at 4am, 10am, 3pm, 7pm and 11pm, Wednesday night at midnight, and Saturday and Sunday at 7am, 9am, 11am, 1pm, 3pm and 5pm.

Thursday, 29 January 2009

AFOS: "The Wonderful World of Covers" playlist

Airing this week on the Fistful of Soundtracks channel is the 2007 Fistful of Soundtracks: The Series episode "The Wonderful World of Covers" (WEB91), which contains film and TV theme covers from all over the world, including a slammin' cover of Beyonce's Goldmember track "Work It Out" by the U.K. soul band Speedometer. jim.aquino.com is no longer online, as are all the pre-WEB97 playlists I posted on that site, so I'm reposting each playlist as each pre-WEB97 ep reairs.

I'd rather see Good Charlotte drown during this scene.
1. Speedometer, "Work It Out," This Is Speedometer Vol. II, Blow It Hard
2. Los Straitjackets, "My Heart Will Go On," The Velvet Touch of Los Straitjackets, Yep Roc
3. The Lovejoys, "Streets of San Francisco," And You Don't Stop, Langusta Entertainment
4. Barry Adamson, "The Man with the Golden Arm," The Murky World of Barry Adamson, Mute
5. The Civil Tones, "Buffy the Vampire Slayer (TV Theme)," Vodka and Peroxide, Pravda
6. Euroboys, "Enter the Dragon," Jet Age, Sympathy for the Record Industry
7. Laika & the Cosmonauts, "Get Carter," Laika Sex Machine, Yep Roc
8. Green Day, "The Simpsons Theme" (from The Simpsons Movie), Reprise
9. Jimmy Smith, "Walk on the Wild Side," Walk on the Wild Side: Best of the Verve Years, Verve
10. Pressure Cooker, "Space: 1999," I Want to Tell You, Pressure Cooker
11. Triology, "For Love One Can Die," Triology Plays Ennio Morricone, Reverso/BMG Classics/RCA Victor
12. Laika & the Cosmonauts, "Psyko," Laika Sex Machine, Yep Roc
13. The Lovejoys, "Streets of Sao Paulo," And You Don't Stop, Langusta Entertainment
14. Renee Geyer, "Do Your Thing," It's a Man's Man's World, RCA
15. Speedometer, "Work It Out (Beatfanatic remix)," Freestyle Remixed, Freestyle

Repeats of A Fistful of Soundtracks: The Series air Monday night at midnight, Tuesday and Thursday at 4am, 10am, 3pm, 7pm and 11pm, Wednesday night at midnight, and Saturday and Sunday at 7am, 9am, 11am, 1pm, 3pm and 5pm.