Most remixes of film or TV score music are meh, but French remixer Basic Slack's take on "Rinzler"--Daft Punk's thrilling cue from the Tron: Legacy "Disc Wars" skirmish between Sam (Garrett Hedlund) and Rinzler (Anis Cheurfa), the antagonist who always arms himself with two discs a la Chow Yun-Fat's double Beretta action in John Woo flicks and Darth Maul's double-bladed saber-wielding in The Phlaccid Menace--is a pretty good expansion of that two-minute cue.
Tron: Legacy music supervisor Jason Bentley told the MTV Movies Blog that "The score that [Daft Punk] set out to make was one that could stand with Star Wars or Superman." It sure does stand with them. The fact that I keep adding more tracks from Tron: Legacy to "Assorted Fistful" rotation and have listened to Daft Punk's score repeatedly, whether in its original form or in remixes like Basic Slack's--and even more often than I did with any of the Star Wars or Superman score albums--is proof of that.
Showing posts with label Tron. Show all posts
Showing posts with label Tron. Show all posts
Monday, 24 January 2011
Thursday, 9 December 2010
Derezzer's edge: Daft Punk's Tron: Legacy score is now part of "Assorted Fistful" on A Fistful of Soundtracks
I'm a fan of Daft Punk, but I was never really into the Tron franchise. So the French duo's original score for Tron: Legacy, which Walt Disney Records released earlier this week, is the only element of the sequel I've been looking forward to, and it's as dope as I expected it to be.
Another thing I expected was negative reactions to the Tron: Legacy score from both film score music fans who are too conservative to get into Daft Punk and Daft Punk fans who find film score music--including even the kind of score music Daft Punk wrote for Tron--to be too conservative-sounding and old-fogey for their tastes. I don't belong to (or care for) either camp, of course, which is why I've added the duo's score to daily "Assorted Fistful" rotation (also new to "Assorted Fistful" are selections from the recently released two-CD score album for another franchise that's known for its futuristic motorcycle chases, 30 Rock).
Daft Punk's sound also graces another Disney property, the Iron Man movie franchise, but for only a few seconds (the late DJ AM mashed up their 2005 track "Robot Rock" with Queen's "Another One Bites the Dust" and Rob Base and DJ E-Z Rock's "It Takes Two" during Tony's drunken brawl with Rhodey in Iron Man 2, the last of the Paramount-distributed Iron Man installments now that Disney is assuming distribution). In some alternate universe that's more musically imaginative and less clichéd than ours, the Iron Man movies were scored by Daft Punk, and the duo's catchy 2001 track "Superheroes" is either a needle drop in some other superhero flick or the main title theme for a superhero cartoon series, which is where that track always belonged (see Interstella 5555--"Superheroes" goes well with animation).
Another thing I expected was negative reactions to the Tron: Legacy score from both film score music fans who are too conservative to get into Daft Punk and Daft Punk fans who find film score music--including even the kind of score music Daft Punk wrote for Tron--to be too conservative-sounding and old-fogey for their tastes. I don't belong to (or care for) either camp, of course, which is why I've added the duo's score to daily "Assorted Fistful" rotation (also new to "Assorted Fistful" are selections from the recently released two-CD score album for another franchise that's known for its futuristic motorcycle chases, 30 Rock).
Daft Punk's sound also graces another Disney property, the Iron Man movie franchise, but for only a few seconds (the late DJ AM mashed up their 2005 track "Robot Rock" with Queen's "Another One Bites the Dust" and Rob Base and DJ E-Z Rock's "It Takes Two" during Tony's drunken brawl with Rhodey in Iron Man 2, the last of the Paramount-distributed Iron Man installments now that Disney is assuming distribution). In some alternate universe that's more musically imaginative and less clichéd than ours, the Iron Man movies were scored by Daft Punk, and the duo's catchy 2001 track "Superheroes" is either a needle drop in some other superhero flick or the main title theme for a superhero cartoon series, which is where that track always belonged (see Interstella 5555--"Superheroes" goes well with animation).
Wednesday, 4 March 2009
Daft Punk to score Tron 2.0 and give that creepy Tron Guy something to pop-lock to

Daft Punk (a.k.a. Thomas Bangalter and Guy-Manuel de Homem-Christo) is switching from robot helmets to Tron helmets. Disney has enlisted the electronica duo to compose the score for the sequel to the other Jeff Bridges movie that flopped during its initial release but turned into a cult phenomenon. I'm not a fan of the original film, but Daft Punk is perfect for this franchise. The score is going to be kickass.
[Via Upcoming Film Scores]
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