Showing posts with label Blue Scholars. Show all posts
Showing posts with label Blue Scholars. Show all posts

Monday, 16 May 2011

Asians not playing violin

'If I hear someone make another request for Tchaikovsky, I'll cut you, man!'
(Photo source: SFGate)
I recently gave a peek at some of the music I've been bumping while completing the artwork for my upcoming self-published book I Suck at Math: A Trio of 10 Articles About Pop Culture (and that post itself will be included in the book). It's time for another peek. Because it's Asian Pacific American Heritage Month, here are five recordings from my laptop's various I Suck at Math artwork playlists that are all by Asian American musicians who don't play the Tiger Mom-enforced violin.

1. The Morning Benders, "Cold War (Nice Clean Fight)"
I first took notice of this terrific little timpani-driven cut about relationship disagreements during Sklarbro Country, of all shows. Good lookin' out, St. Louis Sklardinals. My only beef with "Cold War" is that it's way too short.



2. The Morning Benders, "Cold War (Star Slinger Remix)"
This dope remix Kanye-ifies Morning Benders frontman Christopher Chu's voice and is part of the Bay Area band's Japan Echo EP release to aid Japanese disaster relief.

The Morning Benders - Cold War (Star Slinger Remix) buy & support japan by Star Slinger

3. The CounterParts, Appetizer EP
It's cool to see T-Know's hip-hop career take off. I knew T-Know briefly when we were UCSC students.

The Skyflakes by Hellen Jo
4. The Skyflakes, "sci-fi as lit."
This is a pretty clever Star Trek-inspired song. The Fil-Am indie rock band's "sci-fi as lit." refers to events from the Next Generation episode "Tapestry," in which Q grants Picard his wish to go back in time and change a pivotal moment from his days as a vert-around-the-gills Starfleet Academy cadet. You don't have to be a Trekkie to dig "sci-fi as lit." because unlike the music of Trek-inspired novelty bands like No Kill I and Warp 11, the track never mentions any Trek characters by name, so it could refer to anyone who's ever wanted to redo a key moment in their past--something everyone can identify with.

Usually when I fall off a toilet seat, a flux capacitor isn't what I see. I just see piss puddles and ripped-open condom wrappers on the floor.
5. Blue Scholars, "John DeLorean"
Another Pinoy musician expresses an obsession with time travel. This track, which contains Back to the Future references (hence the title "John DeLorean"), arose from a discussion Blue Scholars beatmaker Sabzi once had with Scholars MC Geo in which they wondered, "If you could have just one super power, what would it be?" Geo picked time travel because with that ability, "you actually have the capacity to secure any other super power you wanted. For example, if you wanted to fly, you could just travel to a future time where personal flying technology was developed and bring it back."

Has Geo ever considered writing sci-fi or superhero comics as a second career? What Geo said about powers in the "John DeLorean" single download's liner notes had 10 times more clarity and sense than the writing in last Friday's Smallville series finally.

Friday, 17 December 2010

I don't listen to just film score albums, you know

I don't even listen to any of them on most days of the week, although the Tron: Legacy score was on repeat a lot last week.

For the print compilation of my webcomic, I've been trying to write an article about one of my favorite movies, Chan Is Missing, and I've been fighting off a bad case of writer's block with the help of some music. There was an episode of Quantum Leap that mentioned that Sam and Al put on the Man of La Mancha Broadway cast album while building Project Quantum Leap. DJ Phatrick's Asian American Hip-Hop for Dummies, a 2008 compilation of his mixes from the KPFA-FM program Apex Express, has been my Man of La Mancha album.

Cop that.
Despite the censored curse words (stay out of my mixtape, profanity censor guy from Ping Pong Playa!), Asian American Hip-Hop for Dummies is a fantastic sampler of APA hip-hop. Hey, look, it's a pre-electro-hop-era Far East Movement joint.

Asian American Hip-Hop for Dummies track listing
DJ Phatrick's mixtape is an effective cure for writer's block. My piece on Chan Is Missing consisted of only 68 words last week. Then I started bumping the mixtape on my laptop to get myself to add some more words. The article is now up to 2,168 words.

Wednesday, 6 January 2010

Mighty love: A look back at Ralph Bakshi's adventurous and long-lost Terrytoons reboot, now on DVD

The flower-sniffing scene is included on the DVD. All you right-wingers who hated on the show because of the flower scene can suck it.
This is a revised version of a June 5, 2009 post--updated to include mentions of the Mighty Mouse: The New Adventures complete series DVD that came out yesterday.

I never thought I'd see the day. Ralph Bakshi and John Kricfalusi's hilarious late '80s Mighty Mouse: The New Adventures reboot of Terrytoons' opera-singing rodent superhero finally got an extras-filled DVD release from CBS/Paramount, delighting animation fans and '80s kids like me who, back in '87 or '88, thought, "There's gotta be a better cartoon than Transformers, G.I. Joe and all the other lamer ones starring toys," and then caught Mighty Mouse: TNA one Saturday morning and said, "Hey man, we just found it."

Bat-Bat and Tick the Bug Wonder by Jeffrey Pidgeon
The amusingly over-the-top and off-kilter Bakshi Animation fanfare that opened every 11-minute Mighty Mouse: TNA story signaled this was not another saccharine and sanctimonious cartoon kingdom like the ones inhabited by the Care Bears, Teddy Ruxpin, My Little Pony and the Little Clowns of Happytown. The Bakshi/John K. Mighty Mouse brought back some characters from the Terrytoons shorts (Pearl Pureheart, a less prominent Oil Can Harry) and introduced several new ones, like MM's lonely orphan buddy Scrappy Mouse, a bald villain named Petey Pate, the Batman spoof Bat-Bat--a precursor to both the Tick and Die Fledermaus--and the Cow, Bat-Bat's bovine nemesis.

The Cow by Jim Smith
The show also ditched the obnoxious opera singing from the old shorts and gave MM a secret identity for the first time. When MM wasn't busy rescuing Pearl, Scrappy or the other citizens of Mouseville, he disguised himself as a plain-voiced construction worker named Mike the Mouse, a new conceit that actually made MM a more relatable character. In the show's much more anarchic and absurdist second season, the writers apparently lost interest in the Mike persona and had MM appear as his caped self all the time, even when he got married to Pearl at a ceremony that was attended by all the other Terrytoons characters.

'You've got me? Who's got you?'Nineties cartoons like Tiny Toon Adventures and Animaniacs jumpstarted the whole meta-toon trend of poking fun at rival cartoons. But Mighty Mouse: TNA actually went meta years before--and with funnier and wilder results--in the classic "Don't Touch That Dial" episode, which launched an unprecedented attack on cookie-cutter '80s cartoons and viewers' short attention spans. The show's writers and animators admired the '40s and '50s Looney Tunes shorts (the Termite Terrace crew was in their comedic prime during those decades, but several of their shorts were also pretty racist-ass, to borrow a word from a recent tweet by Geo of Blue Scholars about Looney Tunes marathons). Throughout the series run, the Mighty Mouse: TNA staff succeeded in recapturing the irreverent spirit of those '40s and '50s cartoons, and in "Don't Touch That Dial" and an earlier ep, "Mighty's Benefit Plan," they couldn't resist expressing their hatred for the shabby state of mainstream animation at the time.

In the first-season ep "Mighty's Benefit Plan," the writers skewered one particular '80s cartoon, NBC's Alvin and the Chipmunks revival. They reimagined the Chipmunks as "Elwy and the Tree Weasels" (the band's biggest hit was called "Twitch and Writhe"), and in a series of gags they somehow Jedi mind-tricked CBS censors into ignoring, they turned David Seville into a disgusting-looking, Cheerios-craving pseudo-pedophile--an eerie foretelling of creepy teen pop Svengalis like Lou Pearlman and Joe Simpson.

Mr. E from Mighty Mouse: TNA's 'Don't Touch That Dial' ep
Mr. E (Photo source: Jeffrey Pidgeon)
In season two, instead of targeting just one show, the writers decided to go after a whole bunch of shows with "Don't Touch That Dial." The ep follows a Sgt. Bilko's Cereal-eating, diaper-clad kid viewer as he channel-surfs after MM's latest adventure bores him. Evicted from his own show by the impatient kid's remote, MM gets zapped into lame cartoons that resemble The Flintstones, The Jetsons, The Real Ghostbusters, Rocky and Bullwinkle (with Rocky Balboa instead of Rocky the Flying Squirrel) and Scooby-Doo (complete with canned laughter and a Scrappy-Doo-esque sidekick named "Mr. E," a mash-up of Mr. T and Ed Sullivan who tells MM to get away from his "really big shoe" and stop taunting his "ethnically mixed buddies"). Long before the writers of The Simpsons, Futurama, Arrested Development and 30 Rock were inserting gags that viewers have to freeze-frame, "Don't Touch That Dial" snuck in a great split-second shot of MM getting zapped into a nameless cartoon starring a mash-up of Popeye and a Smurf ("Popeye Smurf").

Not everything in Mighty Mouse: TNA worked. Scrappy, voiced by the late Dana Hill, the Patrick Troughton of Audrey Griswolds, was an annoying audience surrogate who became even more annoying when a cost-cutting Bakshi would string together clips of old Terrytoons shorts and have an offscreen Scrappy snark at the footage for the entire 11-minute segment. Mighty Mouse invented MST3King about a year before MST3K did! (When he was asked in a 1988 interview about the 11-minute montages of old Terrytoons clips, John K. said, "Why waste money on those things? Nobody's going to watch them anyway.") Though these segments weren't very funny--and listening to Scrappy's voice for 11 minutes straight is like being treated to a concerto by the Nails on Chalkboards Philharmonic Orchestra--they showed how much of an improvement the Bakshi/John K. reboot was over the original MM cartoons, which were rather sucky. No wonder the show's writers and animators turned to Looney Tunes instead of Terrytoons for comedic inspiration.

Marvel Comics' Mighty Mouse #1It's a shame this little-seen show has been remembered mostly for the uproar caused by the religious right--they thought they saw MM snort coke from a flower--and not often enough for moments like the ep that pitted MM against a giant, evil and nameless parade balloon that was clearly Pee-wee Herman (a funny reference to another CBS Saturday morning show at the time), the Elwy show and "Don't Touch That Dial," the most entertaining 11 minutes of small-screen animation from the '80s. Though it lasted only two seasons, Mighty Mouse: TNA was popular enough to spawn an early '90s Marvel comic that brought Bat-Bat, his sidekick Tick the Bug Wonder, the Cow and the show's other new characters to the funny pages.

For a while, a Mighty Mouse: TNA DVD seemed unlikely because according to Jeffrey Pidgeon, an artist who worked on the show, "the rights are owned by five different people who don't exactly like each other." I don't know who sorted out the legal mess, but I like to think a mouse in yellow tights was somehow involved.

Tuesday, 13 October 2009

20 favorite Current TV stories (Part 2)

Previously on A Fistful of Soundtracks: The Blog: #20-#11.

From left to right: The Manic Pixie Dream Girls in this capture from 'Ode to the Indie' are Kate Winslet from Eternal Sunshine, Margarita Levieva from Adventureland, Anna Paquin from The Squid and the Whale and Ellen Page from Juno.
My favorite Current TV show is a recent addition to the channel's lineup, The Rotten Tomatoes Show, a unique movie review show that's reminiscent of both the earlier years of G4's X-Play (the hosts participate in movie parody sketches) and ReelzChannel's Movie Mob (it features webcam reviews that are less obnoxious and insipid than the ones on Movie Mob because they're submitted by film bloggers who have a sense of film history and professional comedians, instead of anonymous morons who think they're funny and make the review about themselves instead of the movie). Two of my selections on this post are examples of why The Rotten Tomatoes Show is the most entertaining movie review show since the time Ebert threatened to sit on Siskel.

10. "YouTube's Worst Parents"
Brett Erlich's "Viral Video Film School" is always a highlight of infoMania.



9. "Hipsters in Space"
When's South Park going to skewer hipsters? SuperNews! beat them to the punch.



8. "Beatboxing the Flute"
One thing that's missing from this piece about Nathan "Flutebox" Lee is his ill cover of the Knight Rider theme. I assume the music clearance fee would cost more than a new chassis for KITT.



7. "Hookers are the Best Roles in Town by Ellen Fox"
The Rotten Tomatoes Show co-host sardonically sings about Hollywood's fixation on hoes-with-hearts-of-gold. On the shallow side, Fox looks hotter in the Pretty Woman hooker outfit than Julia Roberts does.



6. "Joe Gets Game"
Even though I know very little about Harry Potter (the first movie was so ponderous I never got into the rest of the franchise), Joe's bad pick-up lines in Potter slang are amusing.



5. "Blue Scholars Seattle"
This mini-doc featuring Geo and DJ Sabzi is actually more about Seattle than Blue Scholars, but any segment with them is worthwhile viewing. The video title makes the duo sound like a bad prime-time procedural franchise (Blue Scholars: Seattle, Blue Scholars: Miami...).



4. "La Vida Flamenco"
Damn.



3. "Sexy Scientist"
Double damn.



2. "Ode to the Indie by Ellen & Brett"
There's one frequent indie comedy element that's missing from this Rotten Tomatoes Show list of indie clichés: "Oh, those funny-talking yellow-faced and brown-faced people!" humor.



1. "Sarah Haskins in Target Women: Cleaning"
Each week on infoMania, Haskins' great "Target Women" segment shows how advertising panders to female viewers. The funniest of these "Target Women" pieces spoofs dumb bathroom cleaning product commercials.