That is weird, that is bi-Sklar

(Photo source: The Sklar Brothers)

On one of my favorite podcasts, the Sklar Brothers' Sklarbro Country from the incredibly prolific Earwolf comedy podcast production company, the sports-loving twin brothers poke fun at the batty behavior of sports celebrities and their often equally deranged fans with the same biting and wonderfully rapid-fire delivery they brought to their much-missed ESPN Classic sports clip show Cheap Seats. Randy and Jason Sklar are also huge boosters of indie bands like The Morning Benders and The Henry Clay People, so the beds and mid-show musical interludes in between the Sklarbitrations, Quick Hits, visits from Racist Vin Scully and Sklarson impressions (a.k.a. the Sklars' Johnny Carson impressions) are often indie rock tracks. An occasional hip-hop joint gets thrown into the mix because fortunately, the brothers' musical tastes aren't limited to the "flaccid, smarmy, girl-pant, bearded, fixie bike rock" that one Sklarbro Country fan amusingly complained about in the Earwolf site's comments section (he's right about the stupidity of guys wearing girl pants though).

You know how TV shows like The Sopranos, Grey's Anatomy and more recently, Breaking Bad have replaced terrestrial radio and MTV as a place to discover sounds by new artists whenever the shows utilize existing songs as either source music or "needle drops" for montages or action sequences (which led to several newspaper and music magazine articles declaring that "scripted TV is the new radio")? The beds and musical interludes on comedy podcasts are turning into another great place to unearth new sounds. Sklarbro Country was where I was first exposed to terrific tunes like The Morning Benders' "Cold War (Nice Clean Fight)" and Those Darlins' "Screws Get Loose."





When an ill track I've never heard before like Ana Tijoux's "1977" gets airplay on a series like Breaking Bad, I have to play detective and hunt for it online (that is if Alan Sepinwall doesn't ID the track on his blog, but he usually does so). Fortunately, the Sklar Brothers ID each tune for the listeners (and the guest comedians who are sometimes curious about a tune's title) as it's being played by their sound engineer, so I don't have to play detective, although I wish the brothers posted the track titles on the Earwolf site. Many Sklarbro Country listeners like myself have wondered where they could find playlist information. A few days ago, I discovered the Sklars have been posting playlist info, but on their WhoSay site (and in Twitpic form instead of as text for some bi-Sklar reason).

In addition to being a standout installment (I love the Sklars' takedown of Japan-bashing WNBA guard Cappie Poindexter, as well as special guest Kumail Nanjiani's takedown of "Crappy Henderson... what's her name?," whom he'd take more seriously "if the WNBA used regular-colored basketballs"), Sklarbro Country episode 34 is a good example of the show's inspired choices for existing songs. What other show goes from J Mascis to Warren G and the late Nate Dogg?

"Rock Box" Track of the Day: Beastie Boys, "Shambala"

Song: "Shambala" by the Beastie Boys
Released: 1994
Why's it part of the "Rock Box" playlist?: It's featured in the Breaking Bad third-season finale "Full Measure."
Which moment in "Full Measure" does it appear?: A Beasties instrumental from Ill Communication that contains Tibetan monk chants and references to Adam Yauch's Buddhist beliefs, "Shambala" accompanies the not-so-pacifist sequence where Mike (Jonathan Banks), the ex-cop-turned-cleaner who works for drug tycoon Gus Fring (Giancarlo Esposito), wipes out four Mexican cartel members at a chemical supply warehouse.

Meditate to "Shambala" at my SwiftFM site.

TV Critic Grimlock is the new definitive voice of TV criticism, so move over, Tom Shales--that is if you can move that hefty ass of yours

In just 50 or so tweets, Grimlock the Dinobot has emerged as a new insightful voice in the often stuffy and annoyingly middlebrow field of TV criticism. Nobody--not even the witty recappers over at the Onion-owned A.V. Club or the refreshingly not-so-stuffy, comic book-loving Alan Sepinwall--has enlivened coverage of the new fall TV season quite like the belligerent tyrannosaur has:

"me grimlock liked when grace park in bikini punched out surfer on five-0. hottest entrance since julie warner skinny-dip in doc hollywood!" (Tuesday, October 05, 2010 8:06 PM)

"me grimlock not miss rick sanchez. sesame street newsflash reporter kermit frog: he more credible journalist than rick sanchez." (Tuesday, October 05, 2010 8:00 PM)

"me grimlock not into unfunny nbc sitcom outsourced. me wish that call center get torched by mumbai gangsters in final episode." (Wednesday, October 06, 2010 11:45 AM)

"me grimlock not masturbate to fox news ladies because they sound so hateful and whiny like starscream." (Wednesday, October 06, 2010 11:41 AM)

I haven't been this riveted by the thoughts of a writer who's discussing TV since the time Armond White implied he wanted to spoon with Keller from Oz.

So what if TV Critic Grimlock, who launched his Twitter page with my help last Sunday (@TVCritGrimlock), has only one follower? Some talented writers are at their most interesting when they're a best-kept secret--or before they jump the shark, to borrow a TV-related phrase that, now that I've finally thought about it, is kind of as tiresome a term as "BFF" or "bromance."

From the Autobot homebase known as the Ark, Grimlock took some time out of his busy TV-watching schedule to discuss the fall season and the animosity towards Optimus Prime (and Dinobot teammate Slag and anyone who's a Decepticon) that occasionally seeps into his tweets, which always look e.e. cummings-esque because Grimlock doesn't quite understand the purpose of the Caps Lock key. To make this Q&A less irritating to read, all of Grimlock's words have been properly cased.


Jimmy J. Aquino: TV Critic Grimlock, do I have to include the "TV Critic" when I address you? Can't I just address you as simply Grimlock or "Grimmy" or "Grimbo" or "Mista Grim" or "Claws Up, 'Lock Down"?

TV Critic Grimlock: Me Grimlock not care! Just like how Optimus not care that his management style become too soft and antiquated for me Grimlock.

JJA: Wow, you just really can't let that beef with Optimus go, can you, Rex-n-Effect? Even after everything Optimus has done for you and your Dinobots here on Earth?

TVCG: Optimus remind me Grimlock of Colosimo in Boardwalk Empire! Optimus lacking ambition! You remember what happen to Colosimo at end of Boardwalk Empire series premiere? Me Grimlock not need to say more.

JJA: You do know you just basically said that Optimus' days are num...

TVCG: Me Grimlock not wish to comment anymore on that. Move on.


JJA: Boardwalk Empire has been well-received within the TV critic community, but you said, "3 episodes in, and me grimlock still wondering if boardwalk empire gonna be scorsese's berlin alexanderplatz or scorsese's seaquest dsv." Aren't you being just as impatient as the broadcast network execs whose constant tinkering in the development of their scripted shows is something HBO has been careful to avoid with its scripted shows?

TVCG: Huh? Me Grimlock not completely follow question. Slow down for me Grimlock.

JJA: You dug The Wire and The Sopranos, right? The Wire didn't get cooking until the fourth episode, when McNulty and Bunk exchanged nothing but F-bombs at the crime scene, and then we knew this wasn't going to be another banal procedural. The Sopranos' first really interesting ep wasn't the pilot. It was when Tony took Meadow on a college road trip, which sounded dull on paper but was riveting because of the artful way the innocuous trip was juxtaposed with Tony's murderous side. Because there's very little pressure to talk down to their viewers and hold their hands and cup their balls, HBO dramas unfold slowly. That's what I think Boardwalk Empire showrunner Terence Winter--a former Sopranos staffer--is doing with his new show.

TVCG: Me Grimlock enjoy certain aspects of Boardwalk--especially full-frontal Paz de la Huerta nudenessness--but at times, me Grimlock feel like been there, done that. Some part of me Grimlock feel like HBO doing another gangster show kind of not up to post-Sopranos HBO standards. AMC and FX original programs more interesting than HBO output these days. Look at biggest hit on HBO right now: vampire version of old '80s HBO softcore porn show The Hitchhiker, but with 10 times less Canadians and 10 times more gay sex? Come on, HBO, step game up.

JJA: But I think most of HBO's scripted comedies have been pretty above average. I was glad for Eastbound & Down's return the moment when Ana de la Reguera slowly shook her ass and did the best version of "Night Moves" ever. What are some examples of AMC and FX original programming that you think are putting HBO to shame right now?

TVCG: Me Grimlock blown away by Breaking Bad! Although Walt remind me Grimlock too much of Optimus when he deal with Jesse, so me not like Walt so much. Me root for Jesse to someday overpower Optimus... I mean... Walt. Mad Men in top form now that storylines headed towards turbulent late '60s. HBO original series department on crack when they rejected Mad Men.

On FX side, me Grimlock into Justified, It Always Sunny and Terriers. Me Grimlock thought at first that Terriers too much like breezy, lighthearted USA detective show, but then me surprised by dark Shield-like turn early on. Me bet that dark turn due to presence of Shawn Ryan. Lights Out trailer on FX badass. Me Grimlock look forward to Lights Out.


JJA: Louie has been excellent. I'm glad Louie will be coming back to FX, as well as Archer.

TVCG: Me enjoy Archer even though it could use more Dinobots in cast. Archer need more diversity in cast. Maybe in season two, Archer writing staff get Dinobot to seduce Lana on undercover mission.

JJA: You Grimlock wanna hit that, right?

TVCG: Me Grimlock like! Lana's man-hands not bother me Grimlock!

JJA: But Tom Shales bothers you. You tweeted that you "wanna rip apart velma from scooby-doo lookalike tom shales. any critic who frequently attack daily show gonna get bit by me."

TVCG: Jonny Stew funny! Tom Shales? Funny-looking!

JJA: Well, you are aware that Shales has always been Team SNL, right?

TVCG: He also hate Wiseguy. Me Grimlock not understand why Shales never like it. Me Grimlock used to enjoy reruns of '80s precursor to Donnie Brasco and Sopranos, even though Unibrow too whiny as undercover Fed.

JJA: Vinnie Terranova was also pretty whiny behind the scenes, according to some old article I once read. It listed Ken Wahl as one of the most difficult-to-work-with TV stars of the '80s. Although when a camera runs over your foot twice and leaves you in crutches and a cast for half a season, being a dick is understandable.

TVCG: Me Grimlock would bite cameraman if he did that to me Grimlock!

JJA: Are you saddened by the passing of Wiseguy co-creator Stephen J. Cannell?

TVCG: Me Grimlock love A-Team--even though bullets not ever hit anybody on that show. Yeah, big loss when Cannell died. Cannell behind so many badass shows! Cannell got brains like friend Perceptor!

JJA: Yeah, The A-Team can be a fun show, and I always get a kick out of B.A.'s hatred of planes, but I don't think parts of that show have aged well. Nah, I'm more of a Rockford Files guy. I first saw Rockford on DVD and got hooked on that show. That shit's timeless.


TVCG: Me Grimlock think Rockford too wimpy! He hurt hand whenever he throw punch! That never happen to me Grimlock!

JJA: Uh, that kind of was the point of The Rockford Files. He's not invincible. He doesn't have metal claws and razor-sharp teeth.

TVCG: Wimp!

JJA: Are you on Cybertronian crack? Haven't you ever seen Rockfish's ride, the Firebird?

TVCG: It not able to transform into warrior like me Grimlock! Wimp!


JJA: Which of the fall's new shows really stand out?

TVCG: Me Grimlock think Terriers terrific. Broadcast network dramas not on par with current cable dramas, although Hawaii Five-0 and slightly edgier Detroit 1-8-7 both solid "comfort food" dramas. Five-0 seem more like USA show than CBS show. CBS hour-longs usually gloomy and as Perceptor once joked, often named after 12 percent of alphabet.

JJA: "Twelve percent of alphabet." I get it: CSI, NCIS...

TVCG: No one except showrunners of Lone Star--before it cancelled--and The Event itching to make next Lost. That tell you plenty about current scripteds on broadcast networks.

JJA: Whoa, I think somebody's trying to impress Variety. "Scripteds." "Hour-longs." So yeah, not-so-risky procedurals are still the way to go, especially in this economy.

TVCG: Me Grimlock not like! Cable better! More risk-taking! Scripts better written on cable! Characters more complex! Lots of human lady tits for Powerglide to rub nosecone to!

JJA: Thanks for that pleasant image of Powerglide, Grimlock.

TVCG: Me Grimlock not like reality TV, whether on broadcast networks or cable! Slag enjoy that vapid drivel! Me Grimlock battle Slag for command of remote! Slag always watching Real Housewives franchise. If me Grimlock wanna hear ugly bitches argue, me go send Blaster to eavesdrop on Megatron and Starscream.

JJA: Do you think the haters are right about Glee quickly running out of steam like Ryan Murphy's previous show Nip/Tuck did?

TVCG: Me Grimlock not watch Glee.

JJA: Me neither. I'm like Jeff on my current favorite non-cable show Community: "I don't understand the appeal at all!"

TVCG: Glee more something Bumblebee would like. Me Grimlock once caught Bumblebee singing along to Camp Rock 2 soundtrack.

JJA: And that's a good place to end it. Thanks for stepping out of "the dark of the moon" to do this, man, uh, I mean, tyrann.

TVCG: Me Grimlock! King of Twitter! Me not give two stegosaur shits about me having only one Twitter follower!

twitter.com/TVCritGrimlock

Around the world in 520 words

I don't keep track of the size of the Fistful of Soundtracks channel's international audience, but I know I get a lot of listeners from Europe. Some of them have mentioned AFOS in their tweets or newspaper pieces. A writer from England's Observer paper described my station's format as "tunes from films and TV, surprisingly listenable," while a British listener told me earlier this year he heard BBC Radio 1 DJ Sara Cox give AFOS a shout-out on the air.

Over in the Netherlands, someone plugged AFOS in a Facebook post.

In Dutch, the post says: "Jimmy Aquino draait al sinds 2002 Film- en TV muziek op zijn eigen radiostation, altijd in themas. Omdat het voornamelijk een one-man-show is, worden de programma's slechts wekelijks geupdate. Naast de wekelijkse show wordt het station gevuld door een jukebox vol trailers en de bijbehorende muziek. Aquino weet niet alleen ongelofelijk veel van filmmuziek, hij tekend ook strips en schrijft korte verhalen."


Google Translate's slightly malapropistic version in English says: "Jimmy Aquino has been around since 2002 Film and TV music on his own radio station, always themes. Because it is mainly a one-man show, then the program is only updated weekly. Besides the weekly show, the station filled by a jukebox full of trailers and the accompanying music. Aquinas not only knows an incredible amount of film music, he also signed comics and writes short stories."

I appreciate the praise, but like most blog posts that mention AFOS, it's not 100 percent correct about the details ("Because it is mainly a one-man show, the program is only updated weekly"). The Dutch listener is right about the Fistful of Soundtracks channel's one-man staff but somewhat incorrect about the weekly updating of episodes of the one-hour program that originated on college radio (which was also called A Fistful of Soundtracks). I do update the Wednesday reruns of that program each week, but I haven't recorded a new ep since "Dance Into the Fire" in 2008 because I've been underemployed for a while, and it's become too expensive for me to continue producing the program or to pay Bruce the announcer again to re-record the program intro in the reruns and introduce me as "Jimmy J. Aquino" instead of the now-outdated "Jimmy Aquino."

However, I haven't stopped updating the Fistful of Soundtracks channel's daytime playlists. A couple of weeks ago, I added to the "Chai Noon" playlist some Dilwale Dulhania Le Jayenge numbers from a new Shahrukh Khan soundtrack compilation and some tracks from the new Abhishek Bachchan/Aishwarya Rai movie Raavan, and then I added the Beastie Boys instrumental "Shambala" to the "F Zone" playlist after the Breaking Bad season finale devoted an entire sequence to "Shambala." This week's additions to "Assorted Fistful" are selections from Varèse Sarabande's expanded version of Michael Giacchino's Star Trek score album.

The above Dutch phrase "hij tekend ook strips" means "he has also drawn comics." Google Translate thinks the post says "he also signed comics." Yeah, I don't write comics. I just autograph them. The "Sampler" script and The Palace were actually the work of South Korean laborers.

DirecTV's 101 Network reopens Eyes

I was surprised to find out DirecTV's 101 Network has started airing this week all 12 episodes of Eyes, one of my favorite TV shows that were cancelled too soon. I thought the 101 was going to premiere Eyes back in July, but apparently there was some sort of delay.

John McNamara TV shows just never get any respect, do they?

McNamara is a former Brisco County, Jr. and Lois & Clark writer whose most entertaining creations have been shows built around antiheroes with no qualms about being unethical. Years before audiences were willing to embrace The Sopranos, The Shield, House, Rescue Me, Dexter, Mad Men, Breaking Bad and Nurse Jackie, all dramas with not-so-virtuous lead characters, McNamara gave us a shady corporate climber who sleeps in a cardboard box (1996's Profit) and a private detective who enjoys mind-tricking the criminals who wronged his clients a little too much (1998's Vengeance Unlimited).

But while Tony Soprano, Vic Mackey, Dr. House, Tommy Gavin, Dexter Morgan, the players at Sterling Cooper, Walt White and Nurse Jackie are amoral--somewhere in their bastardly selves lurks a conscience or whatever's left of it--Jim Profit was unabashedly immoral. Whether or not dark and detached central characters like Profit are the reason why McNamara's shows don't last more than one season, McNamara just can't catch a break, even when he crafts antiheroes who are still as shady as Profit and Vengeance Unlimited's Mr. Chapel but less insane and a little more likable, like he did with the gumshoes on Eyes.

McNamara's 2005 series centers on Judd Risk Management, an upscale private investigation firm made up of detectives who don't mind skirting the law to protect their clients. The P.I.'s include sexy master of disguise Nora Gage (Garcelle Beauvais-Nilon); buttoned-up, military-trained newbie Meg Bardo (A.J. Langer); Chris Didion (Rick Worthy, so underutilized as "the black Cylon" on Battlestar Galactica), a gay associate who returned to the firm after a leave of absence caused by a nervous breakdown; and Jeff McCann (Eric Mabius), who conspires with Trish Agermeyer (Natalie Zea), the firm's hot equivalent of Q from the 007 flicks, to hide their affair from another co-worker, Trish's dweeby husband Danny (Reg Rogers).

"Every character has a different back story, a different moral compass. I don't think in terms of 'he's bad' or 'she's good' or vice versa. The fun of this world is in exploring the duality of these characters," said McNamara to Zap2it.com interviewer John Crook in a 2005 article about Eyes. "This world that these characters are in has an effect on them, just as they have an effect on it. They are not machines moving through the investigation, chewing up facts and spitting them out. It takes a toll on their psyches."

Their leader--and perhaps corrupting influence--is smug smart-ass Harlan Judd, Tim Daly's most enjoyable role to date. After playing so many uncomplicated characters (the straitlaced older brother on Wings, the animated version of Superman, Dr. Richard Kimble on McNamara's 2000 remake of The Fugitive), Daly clearly relished embodying more complicated guys like drug-addicted screenwriter J.T. Dolan on The Sopranos and Harlan on Eyes.

"Harlan's way of keeping people off balance is something I totally identify with. My default setting is to make people not know whether I'm giving them shit or not. I think that I get that about him," said Daly to TV Guide interviewer Craig Tomashoff. "He sort of teases people, [and] I love teasing people. Most of the time, I'm not mean about it. I haven't been punched in a bar yet."

Daly may have been a lucky bastard inside bars and taverns, but he wasn't so lucky with the ax that was wielded by ABC, which cancelled his serialized show after five eps that weren't able to retain the audience that tuned in to Lost, its lead-in on the network schedule. Warner Bros. Television made the unaired Eyes eps available to stream on In2TV, their clunky precursor to Hulu, but I hated watching Eyes on In2TV, and the site didn't even contain the complete series, which still hasn't received an official DVD release. The 101's Tuesday night broadcasts of Eyes will mark the first time the complete series will be shown in America, which is why I'm firing up my DVR. Eyes ranks with The Rockford Files, Smoldering Lust/Black Tie Affair, Veronica Mars and Burn Notice as one of the best private eye shows ever made.

20 favorite TV moments of 2008

Happy New Year. These favorite moments of mine are all from scripted or non-reality TV. Screw reality TV.

(Warning: some spoilers ahead.)

20. Conan, Jon Stewart and Stephen Colbert try to kick each other's asses to the tune of "Brianstorm" by the Arctic Monkeys (Late Night with Conan O'Brien).

19. Barney, Ted and Lily rock "the Naked Man" (How I Met Your Mother).

18. Rob Riggle gives Code Pink enough rope to hang themselves (The Daily Show with Jon Stewart).

17. Walt blows up Tuco's office (Breaking Bad).

16. Brock battles a French assassin who's obsessed with Silver Age comic books (The Venture Bros.).

15. Michael goes undercover as a wimpy chemist (Burn Notice).

14. "She must prove she loves America, as opposed to Republicans, who everyone knows love America. They just hate half the people living in it" (The Daily Show).

13. The island is visited by the freighties, who include Daniel, a heroic science nerd, and Miles, a wiseass "ghostbuster" and the most interesting and least clichéd Asian American male character to hit network TV in years (Lost).

12. Patterson punches Encino Man (Generation Kill).

11. "Hey John, I got a question! You need a ride to the airport?" (Late Show with David Letterman).

10. Stephen tries--and fails--to hide actual tears during Barack Obama's historic victory (Indecision 2008: America's Choice).

9. Wendy emerges from the water in Ursula Andress' Dr. No bikini (The Middleman).

8. Don tells Peggy to get out of the hospital and move forward (Mad Men).

7. The survivors find Earth (Battlestar Galactica).

6. Katie Couric (Amy Poehler) interviews Sarah Palin (Tina Fey) (Saturday Night Live).



5. Jack crashes Liz's high school reunion (30 Rock).

4. Bubbles is finally invited to the dinner table (The Wire).

3. Vic confesses (The Shield).

2. Joe Biden (Jason Sudeikis) and Sarah Palin (Fey) go head to head (SNL).



1. Iceman's team sings "Teenage Dirtbag" (Generation Kill).

-----

Runners-up:
- The Bawlmer cops sing "The Body of an American" for the final time (The Wire).
- Desmond looks for his constant (Lost).
- "A guaranteed disaster. Like eating a burrito before sex" (30 Rock).
- Samantha Bee tries to get Republican delegates to say the word "choice" (The Daily Show).
- BET fires everyone who can read (The Boondocks).
- 6H turns into Amadeus (30 Rock).
- John Legend sings "The Girl Is Mine" with Stephen (The Colbert Report).
- Will Arnett does his last sex tape (Human Giant).
- Sayid sells his soul (Lost).
- Anna Paquin and Lizzy Caplan finally get naked (True Blood).