"Rome, Italian Style" Track of the Day: The Wondermints, "The Party"

Song: "The Party" by the L.A. power pop band The Wondermints
Released: 1996
Why's it part of the "Rome, Italian Style" playlist?: For the Henry Mancini tribute album Shots in the Dark, which is best known for featuring a Scream-era Rose McGowan on its artwork, The Wondermints covered Mancini's psychedelia-lite main theme from The Party, the mostly improvised 1968 Blake Edwards comedy that thumbs its nose at Hollywood douches and SoCal stuffed shirts. (They didn't call anyone "douches" back then, so what did they say instead? "Hey, don't be such an un-groovy female sanitary napkin!"?)

(Photo source: DVD Beaver)

Although I really like the brilliantly directed silent movie-style slapstick in The Party, especially any set piece involving the practically mute waiter who gets himself plastered (Steve Franken, cousin of Sen. Al Franken), I can't get past Peter Sellers' aggravating brownface act (even though his docile Indian outsider character was written to be one of the few sympathetic and likable people in the movie, it's still brownface). The late Edwards was full of odd contradictions as a filmmaker. For instance, he'll emasculate Asians in one movie (either in Breakfast at Tiffany's or, to a lesser extent, in The Party) but then give an Asian American a pretty progressive role for its time in another (James Hong's dramatic role as a surgeon wrongly accused of murder in 1972's The Carey Treatment, a much-maligned but interesting and Roy Budd-scored whodunit that Edwards disowned after directing it for MGM).

(Photo source: Nanó Wallenius)

The Shots in the Dark take on "The Party," which is slightly updated with '90s production trickery and opens with a clip of the film's most quoted line, can be streamed here. It's a faithful rendition of one of Mancini's most underappreciated themes by Brian Wilson's future backing band, which, in 1996, was about to get some recognition the following year for its Austin Powers: International Man of Mystery song "Austin Powers."

All the other "Rome, Italian Style" Tracks of the Day from this week:
Danger Mouse & Daniele Luppi, "Her Hollow Ways"
Parodi/Fair, "James Bond Theme (GoldenEye Trailer Version)"
Goldfrapp, "Lovely Head"
The John Gregory Orchestra, "The Avengers"

This is the final "'Rome, Italian Style' Track of the Day" post. The "Rome, Italian Style" block on A Fistful of Soundtracks airs Mondays through Thursdays from 11am to noon.

Show me your taglines: My favorite movie poster slogans

In a world where movie taglines are corny or tepid, sometimes there are taglines that are genuinely witty and clever.

Fox just launched an eye-catching "Snakes on a cane" teaser promotion for House--it's as cryptic as ABC's "What did you see?" springtime promos for John Cho's FlashForward--and the IMDb Hit List recently linked to a blog post about the greatest bits of poster or trailer copy. Both items got me thinking about which taglines are good ones (and aren't just reiterations of lines from the movie, like the Dark Knight teaser campaign's "Why so serious?" or the original Dawn of the Dead's "When there's no more room in hell, the dead will walk the earth").

Michael Aushenker, who e-interviewed me for his Cartoon Flophouse blog, used to be a tagline writer. He came up with Eve's Bayou's tagline: "The secrets that hold us together can also tear us apart."

In no particular order, here are my favorites.


This Is Spinal Tap: "Spinal Tap... does for sex, drugs and rock n' roll what Sound of Music did for hills."

Southern Comfort: "It's the land of hospitality... unless you don't belong there."

Back to the Future: "He was never in time for his classes... He wasn't in time for his dinner... Then one day... he wasn't in his time at all."

Shaun of the Dead: "This September aim for the head."


Planet Terror teaser campaign: "You might feel a little prick."

The War of the Roses: "Once in a lifetime comes a motion picture that makes you feel like falling in love all over again. This is not that movie."

Wet Hot American Summer: "It was the last day of summer. It was the first day of the third week in August."


Harold & Kumar Escape from Guantanamo Bay teaser campaign: "What would NPH do?"

Alien vs. Predator: "Whoever wins... we lose." A great tagline doesn't always lure me to the movie, especially one with Paul W.S. Anderson's name on it. That's why I still haven't seen AVP.

The Thing (1982): "Man is the warmest place to hide."


Here's a bonus favorite tagline, from the fake Machete trailer that precedes Planet Terror: "But they soon realized they just fucked with the wrong Mexican!"

The long Khan: AFOS September 2009 segment playlists

Starting today at 8am, these September '09 playlists (intro'd by yours truly, of course) will air all through the month on the Fistful of Soundtracks channel. Until September 29, they'll be repeated every Tuesday and Thursday at 4am, 10am, 3pm, 7pm and 11pm and every Saturday and Sunday at 7am, 9am, 1pm, 3pm and 5pm.


"Eelmatic":
1. James Horner, "The Eels of Ceti Alpha V/Kirk in Space Shuttle," Star Trek II: The Wrath of Khan, Retrograde/Film Score Monthly
2. James Horner, "Captain Terrell's Death," Star Trek II: The Wrath of Khan, Retrograde/Film Score Monthly

"Promises, Promises":
3. Tom Jones, "Promise Her Anything" (from Promise Her Anything), Their Greatest Hits: Tom Jones and Engelbert Humperdinck, Rebound
4. Klaus Badelt, "The Promise," The Promise, Superb

"Chase Those Crazy Beatheads Out of Town":
5. Barry De Vorzon, "Baseball Furies Chase," The Warriors, Spectrum
6. J.J. Johnson, "Willie Chase," Willie Dynamite, Hip-O Select/Geffen

"Harkness, Everybody, Harkness":
7. Ben Foster, "Here Comes Torchwood," Torchwood: Children of Earth, Silva Screen
8. Ben Foster, "Judgement Day," Torchwood: Children of Earth, Silva Screen

"Tarantino Raided My Soundtrack Cabinets":
9. Ennio Morricone, "Algiers November 1, 1954" (from Battle of Algiers), The Ennio Morricone Anthology: A Fistful of Film Music, Rhino
10. Giorgio Moroder & David Bowie, "Cat People (Putting Out Fire)," Cat People, MCA
11. Lalo Schifrin, "Tiger Tank," Kelly's Heroes, Film Score Monthly

"The Hottie and the Ostinati":
12. The Paramount Studio Orchestra, "Prelude and Rooftop," Vertigo, Varèse Sarabande
13. The Paramount Studio Orchestra, "The Streets," Vertigo, Varèse Sarabande

"Schnapps for Breakfast":
14. Bernard Herrmann, "Thank God for the Rain," Taxi Driver, Arista
15. Bernard Herrmann, "Getting Into Shape/Listen You Screwheads/Gun Play/Dear Father & Mother/The Card/Soap Opera," Taxi Driver, Arista

"R.I.P. Erich Kunzel":
16. Cincinnati Pops Orchestra, "Overture" (from The Seventh Voyage of Sinbad), The Great Fantasy Adventure Album, Telarc

"I Guess This Means That Alias/Alias Crossover's a Possibility Now":
17. Michael Giacchino, "On the Train," Alias: Season Two, Varèse Sarabande
18. Eric Rogers, "Spider-Woman," Sci-Fi's Greatest Hits Vol. 4: Defenders of Justice, TVT

"English as Language Second":
19. Ennio Morricone with Maurizio Graf, "Il Ritorno Di Ringo" (from The Return of Ringo), The Ennio Morricone Anthology: A Fistful of Film Music, Rhino
20. Guido & Maurizio De Angelis featuring Susi & Guy, "Driving All Around" (from Il Cittadino Si Rebella), Beretta 70: Roaring Themes from Thrilling Italian Policefilms 1971-80, Crippled Dick Hot Wax!
21. Seatbelts featuring Masayoshi Furukawa, "You Make Me Cool" (from the "Mushroom Samba" episode), Cowboy Bebop: No Disc, Victor
22. Seatbelts featuring Mai Yamane, "Want It All Back" (from the "Asteroid Blues," "Stray Dog Strut" and "Speak Like a Child" episodes), Cowboy Bebop: No Disc, Victor

"Westlake Ho":
23. Johnny Mandel, "Trackdown" (from Point Blank), Point Blank/The Outfit, Film Score Monthly
24. Quincy Jones, "Kifka Car Caper," The Split, Film Score Monthly
25. Quincy Jones, "Main Title," The Hot Rock, Prophecy
26. Jerry Fielding, "Office Scuffle/Kenilworth Heist/Casino Heist" (from The Outfit), Point Blank/The Outfit, Film Score Monthly

"Say Si, Not Oui":
27. La-33, "La Pantera Mambo," La-33, Walboomers
28. The Wondermints, "The Party," Shots in the Dark, Donna

"Alley OOP":
29. Elliot Goldenthal, "Obligatory Car Chase," Demolition Man: The Original Orchestral Score, Varèse Sarabande
30. Hans Zimmer, "Show Me Your Firetruck" (from Backdraft), Passions & Achievements, Milan
31. Royal Scottish National Orchestra, "End Credits" (from First Knight), Hollywood '95, Varèse Sarabande

"There Are Never Possibilities":
32. James Horner, "Epilogue (original version)/End Title," Star Trek II: The Wrath of Khan, Retrograde/Film Score Monthly