Showing posts with label music supervisors. Show all posts
Showing posts with label music supervisors. Show all posts

Friday, 4 February 2011

"Rock Box" Track of the Day: Tony Lucca, "Devil Town"

'If the quality of writing on FRIDAY NIGHT LIGHTS were the base standard for all network television, cable TV would collapse overnight.'--Patton Oswalt
Song: "Devil Town" by Tony Lucca
Released: 2007
Why's it part of the "Rock Box" playlist?: This frequently covered, Daniel Johnston-penned tune is featured in several Friday Night Lights episodes, including the first-season FNL eps "Eyes Wide Open" and "State" and this week's ep "Texas Whatever." It was also used in FNL's season 3 promos on DirecTV's 101 Network.

Because the Super Bowl is this Sunday, and then three days later, FNL--the best scripted drama series about football ever made, even though season 2's forced "Landry kills a guy" storyline was a huge fumble--is airing its final ep, today's "Rock Box" post is focused on "Devil Town."

The song, one of many great finds by FNL music supervisor Liza Richardson, has been as much of an essential part of the TV incarnation as Explosions in the Sky's instrumentals were in the 2004 FNL film. Johnston's lyrics are a perfect match with the bleakness of FNL ("All my friends were vampires/Didn't know they were vampires/Turns out I was a vampire myself/In the devil town"). The show already used up its "Devil Town" card in the penultimate ep this week (the tune was a fitting farewell to the East Dillon Lions), so I doubt the track will resurface in the series finale, but I'm sure Richardson has picked some equally striking tune for the occasion as we hear "Clear eyes, full hearts, can't lose!" chanted one last time.



All the other "Rock Box" Tracks of the Day from this week:
Cameo, "Candy"
Beastie Boys, "Shambala"
Vampire Weekend, "A-Punk"
The Blind Boys of Alabama, "Way Down in the Hole"

Tuesday, 18 January 2011

"Rock Box" Track of the Day: The Motherhood, "Soul Town"

The Mother Hood. Didn't that star Robert Townsend?
Song: "Soul Town" by The Motherhood
Released: 1969
Why's it part of the "Rock Box" playlist?: It's featured in Ocean's Thirteen.
Which moment in Ocean's Thirteen does it appear?: The closing credits (right after my favorite ending in the three Ocean's films: Brad Pitt's way of apologizing to David Paymer for what he and the crew had to put him through as part of their revenge plot against Al Pacino).

Of the three Ocean's soundtracks, my favorite has to be the third and final one, because of how much music supervisor David Holmes' score music had evolved since Eleven, as well as his taste for obscure tracks like Puccio Roelens' cover of "Caravan" and the breezy and badass "Soul Town" instrumental by the Krautrock band The Motherhood. (Plus, Thirteen opens with future "Rock Box" Track of the Day "The Riviera Affair" during the studio logos, and it doesn't contain a certain Elvis track I grew sick of hearing after it got overplayed and horribly remixed by Junkie XL).

The Motherhood was a fusion band led by German saxophonist Klaus Doldinger, the composer of the scores to Das Boot and The NeverEnding Story. I can hardly find any info about this phase of Doldinger's career or "Soul Town." I like how the tune kicks off with a slightly out-of-place piano solo straight out of Ramsey Lewis' "The 'In' Crowd."

"Soul Town"'s a comin'. Hear it at my SwiftFM site.

Monday, 10 January 2011

"Rock Box" Track of the Day: Puccio Roelens, "Caravan"

I wish someone did this to one of the hotel rooms Sarah Palin stays at whenever she's in the continental U.S.
Last Monday, I started a series of weekday posts about each of the existing songs that are streamed during the "Rock Box" block on A Fistful of Soundtracks (4-6am, 9-11am and 3-5pm on Mondays and 5-7am, 9-11am and 3-5pm on Fridays). Each post provides info on a different track from the "Rock Box" playlist and points out the movie or TV series moment where the track shows up and is utilized to great effect.

Song: "Caravan" by Puccio Roelens
Released: 1971
Why's it part of the "Rock Box" playlist?: It's featured in Ocean's Thirteen.
Which moment in Ocean's Thirteen does it appear?: The sequence where George Clooney and Brad Pitt sabotage David Paymer's hotel room so that Paymer can give Al Pacino's hotel a bad review (the above photo is from this sequence).

I love this little-known cover of the 1936 jazz standard that was unearthed by Ocean's Thirteen music supervisor and score composer David Holmes. It sounds like a source cue straight out of Diamonds Are Forever--another Vegas movie. Ocean's Thirteen's inclusion of "Caravan" is a callback to the use of Arthur Lyman's version of "Caravan" in Ocean's Eleven.

Hotel room vandalism never sounded so chill and slick. Hear the 1971-style "Caravan" at my SwiftFM site.

Saturday, 16 May 2009

Rattle and hurm: My Watchmen movie soundtrack (if I got to pick out the songs)

'Say hurm!'
Even though the Watchmen feature film doesn't hit DVD and Blu-ray until July, I want to look at one of my quibbles with the much-discussed box-office dud: its not-very-imaginative soundtrack.

It's rare to see a comic book that comes with its own soundtrack. Lalo Schifrin composed some themes for his son Ryan's Devil's Due comic Spooks, Rob Schrab picked out several songs or themes from movies like The Empire Strikes Back to accompany pages of Scud: The Disposable Assassin, and of course, eight years before Schrab introduced the indie rock-and-John Williams-scored Scud, Alan Moore's groundbreaking Watchmen quoted from "All Along the Watchtower," "Neighborhood Threat" by Iggy Pop, "You're My Thrill" by Billie Holliday, "Sanities" by John Cale and "The Comedians" by Declan McManus, international art thief. Moore made diegetic use of "Neighborhood Threat" (Dan Dreiberg's lonely walk back to his apartment) and "You're My Thrill" (the Owl Ship tenement rescue sequence).

Punks blast Iggy Pop in the Watchmen comic.
(A complete list of the tunes that Moore's Watchmen referenced was posted by Shawn from thus spake drake, who notes that "The chapter and title uses [in which lyrics by the likes of Cale and Bob Dylan were quoted], while they work lyrically with the story, don't necessarily correspond musically with the tone of the comic, so they're best as a reference and not a literal backing track.")

The British comics author's song references captured quite well the anxiety and sadness of the paranoid times Moore's screwed-up superheroes lived in. So what does Zack Snyder--who said he wanted to be as faithful to the DC miniseries as possible, save for a few exceptions like the omission of the big-ass squid, which pissed off the most hardcore Watchmen fanboys while I had no problems at all with the squidless climax--do with the song soundtrack for his adaptation? He keeps key songs like "All Along the Watchtower" and "You're My Thrill" but omits other tunes from the comic and sprinkles the soundtrack with tired and overused existing songs like Simon and Garfunkel's "The Sounds of Silence."

"Ride of the Valkyries" was a clever choice for Apocalypse Now's copter attack sequence. But thanks to countless movies and shows with Wagner-scored Vietnam War sequences like Watchmen, I now wish I could hop into a time machine to 1978 and kill Francis Ford Coppola so that he never puts "Valkyries" on his Apocalypse Now soundtrack.

Who did they hire to be the music supervisor on Watchmen? The narrator of The Wonder Years? Steve West from Radio Nigel or the music supervisor from BBC's Ashes to Ashes would have been a better music supervisor. Snyder's existing song choices in the Dawn of the Dead remake, my favorite Snyder movie, were far less hackneyed (Johnny Cash's "The Man Comes Around," Richard Cheese's cover of Disturbed's "Down with the Sickness"). I'm an Elvis Costello fan, so I'm bummed that Snyder's Watchmen omitted "The Comedians," even though it comes from what Costello considers the worst album of his career, Goodbye Cruel World. However, "The Times They Are A-Changin'," which was referenced in the comic's fake Adrian Veidt cologne magazine ad, was perfect for Watchmen's main title sequence, my favorite title sequence in a 2009 movie so far.

I was listening to Prince's "Sign O' the Times" on my iPod earlier today, and I thought, "Man, I would have put that tune on the Watchmen movie soundtrack and swapped selections like 'The Sounds of Silence,' '99 Luftballons' and 'I'm Your Boogie Man' for some lesser-known '80s tunes," so here's the track listing for my alternate Watchmen soundtrack:

1. Nat King Cole, "Unforgettable"
2. Bob Dylan, "The Times They Are A-Changin'"
3. Prince, "Sign O' the Times"

Sure, "Sign O' the Times" is from 1987, not 1985, the year when most of Watchmen is set, but in the story's alternate universe, I'd like to think Prince came out with Sign O' the Times right after Purple Rain instead of Around the World in a Day.

Killing Joke's 'Eighties' single cover4. Iggy Pop, "Neighborhood Threat"
5. Philip Glass, "Pruit Igoe & Prophecies"
6. Killing Joke, "Eighties"
7. Elvis Costello & the Attractions, "The Comedians"
8. The Clash, "White Riot"

A reviewer at Wired's Underwire blog says he would have preferred a tune by the L.A. punk band the Minutemen--also the original name of the Watchmen characters' team--instead of "I'm Your Boogie Man" for the '70s protest sequence. I'm not familiar with the Minutemen, so I'd go with "White Riot," which is often mistaken for being a skinhead anthem. ego trip's Big Book of Racism wryly describes it as the song in which "Class of '77 punk's finest are sick of colored folks hogging all the revolution."

9. The Police, "Walking on the Moon"

I would have used "Walking on the Moon," which is sung in the comic by a nervous soldier who sees Dr. Manhattan teleport himself away, or "You're My Thrill" instead of "99 Luftballons" for the Dan/Laurie diner scene.

10. Billie Holliday, "You're My Thrill"
11. Devo, "Jocko Homo"
12. The Rolling Stones, "Worried About You"(*) (instead of Leonard Cohen's ubiquitous "Hallelujah" during the movie's much-maligned--but not by me--sex scene)
13. Siouxsie and the Banshees, "Happy House" (for the prison sequence)
14. XTC, "All Along the Watchtower"

Jimi Hendrix's cover of "Watchtower" will always be my favorite version of the Dylan song, but let's face it, the Hendrix version is overused these days. Because of Watchmen's '80s setting, I would have picked XTC's 1978 version.

15. Time Zone featuring John Lydon & Afrika Bambaataa, "World Destruction"
16. John Cale, "Sanities"
17. Bob Dylan, "Desolation Row"
18. Leonard Cohen, "First We Take Manhattan" (the IMAX version, which was the version I saw, cut this song from the end credits and ran a sped-up version of the credits because the movie was already too long for IMAX exhibition)

And I would have shown way less schlonggage from Nuclear Smurf and I would have adapted Watchmen into a miniseries for HBO or FX instead of a feature film that's both too long as a film in the theater and too short as an adaptation of such a dense and literate piece of comics writing, but those are discussions for another post.

(*) Self-pimpin' time: "Worried About You" and "World Destruction" can be heard during A Fistful of Soundtracks' "F Zone" block of existing songs that have been used in films and shows. "The F Zone" airs Mondays at 4am, 9am and 3pm, Wednesdays at noon and Fridays at 5am, 9am and 3pm on AFOS.

Sunday, 8 March 2009

Composer name pronunciation key

"Joy, we're back in Brooklyn, alright? Alright? In Brooklyn, it's Joy, not Joie, okay? It's not Jackée, alright? It's Jackie. It's not Sade, alright? It's Say-dee, alright? Whatchu gonna call me next? Whatchu gonna call me? Spi-kay?"

--Spike Lee (Tommy Davidson), reminding his sister Joie (T'Keyah Crystal Keymah) to stick to Brooklynese pronunciations of names,
In Living Color

The most challenging part of playing film and TV score music on Internet radio is having to pronounce the composers' often baffling-looking names. Over the years, I've Googled the correct ways to read their names and compiled them to create a pronunciation key for myself. Here's an excerpt from it:

Maurice Jarre's Film Score Monthly Composer Collector CardBruno Coulais (Coraline composer): [coo-lay]
Christopher Tyng (Futurama and Rescue Me composer): [ting]
Craig Safan (Cheers and The Last Starfighter composer): [saw-fawn or sawf-on]
Elmer Bernstein: [burn-steen]
Ennio Morricone: [en-yo more-a-cone-ay]
Gustavo Santaolalla: [santa-o-larya]
Jan Hammer: [yahn hah-mer](*)
Leonard Bernstein: [burn–stine]
Maurice Jarre: [jar]
Michael Giacchino: [jah-kee-no]
Mikis Theodorakis (Zorba the Greek and Serpico composer): [thay-uh-doe-rahk-is](**)
Miklos Rozsa: [mee-kloash ro-zha ("zh" as in "leisure")](***)
Ramin Djawadi (Iron Man composer): [rah-meen juh-vaw-dee]
Randy Edelman: [eddle-man]
Tom Tykwer (Run Lola Run and The International director): [tick-ver]
Trevor Rabin: [rah-bean]
Wojciech Kilar: [voy-check kee-lar]
Zbigniew Preisner (Three Colors trilogy composer): [zbig-new prize-ner]

And now, here are some actors, singers, filmmakers or music supervisors whose equally challenging name pronunciations I've had to research or double-check before saying them on AFOS:

Alexandra Patsavas: [pot-saw-vuss](****)
Amitabh Bachchan: (uh-mi-taabh buh-chun)
Bobby Cannavale: [canna-vah-lay]
Chris Douridas: [door-ree-duss](*****)
Djimon Hounsou: [jie-mon hahn-soo]
Franka Potente: [frahn-kuh poh-ten-tay]
Krzysztof Kieslowski: [kzhish-tof kee-es-lof-ski]
Nina Persson (Cardigans frontwoman): [peer-son]
Seu Jorge: [say-oo zhor-zee]
Sidney Poitier: [pwah-tee-yay]
Zhang Yimou: [jahng ee-mow (rhymes with "cow")]

---------------

(*) Source: New England Jazz Radio Cooperative

(**) Source: "Once Banned, Now a Hero of Greek Music" by Ralph Blumenthal,
New York Times, October 23, 2000

(***) Source:
SoundtrackNet

(****) Source: "Music of 'The O.C.'" by Cheryl Corley, All Things Considered, April 24, 2004

(*****) Source: "The Man Behind the Music of the Movies" by Michele Norris,
All Things Considered, May 27, 2003

Sunday, 14 December 2008

Movie soundtrack iPod shuffle meme

It's the original cover of the 'Crockett's Theme' single, pal!
I got a kick out of this meme in which I got to be the music supervisor for the movie about my own life ("If your life were a movie, what would the soundtrack be?").

1. Open your music library (iTunes, Winamp, Media Player, iPod, etc).
2. Put it on shuffle.
3. Press play.
4. For every question, type the song that's playing.
5. When you go to a new question, press the next button.
6. Don't lie and try to pretend you're cool.

Opening credits:
Jan Hammer, "Crockett's Theme" (from Miami Vice)

Waking up:
Devo, "Freedom of Choice"

Average day:
Los Amigos Invisibles, "Pipi"

First date:
The Clash, "Charlie Don't Surf"

Falling in love:
Herbie Hancock, "Bring Down the Birds" (from Blow-Up)*

* Deee-Lite sampled the bass line from this track in "Groove Is in the Heart."

Love scene:
The Reverend Horton Heat, "In Your Wildest Dreams"

Fight scene:
Blondie, "Heart of Glass"

Breaking up:
Living Colour, "Love Rears Its Ugly Head"

Getting back together:
The X-Ecutioners, "Play That Beat (Lo-Fidelity All-Stars Remix)"

Secret love:
Eminem feat. Jay-Z, "Renegade"

Life's okay:
Tangerine Dream, "Love on a Real Train (Risky Business)" (from Risky Business)

Mental breakdown:
Maxine Nightingale, "Right Back Where We Started From"

Learning a lesson:
Trick Daddy, "Let's Go"

Deep thought:
The Who, "Bargain"

Flashback:
Madvillain, "Figaro"

Partying:
Elvis Costello, "I Just Don't Know What to Do with Myself (live)"

Happy dance:
Magazine 60, "Don Quichotte"

Regretting:
Los Straitjackets, "Espionage"

Long night alone:
De La Soul, "Supa Emcees"

Death scene:
Portishead, "Glory Box"

Closing credits:
Sonny Rollins, "He's Younger Than You Are" (from Alfie)

---------------

Hear the Slap Shot theme "Right Back Where We Started From" and "Don Quichotte" (a memorable part of the Northern Exposure episode "Jules et Joel") during the "F Zone" block, which airs Mondays at 4am, 9am and 3pm, Wednesdays at noon and Fridays at 5am, 9am and 3pm on A Fistful of Soundtracks. "The F Zone" streams kickass existing songs that have been used in films and shows.

"Crockett's Theme" and "Love on a Real Train (Risky Business)" can be heard during both the "Assorted Fistful" block and the "Soda and Pie" '80s block, which airs Fridays, Saturdays and Sundays at noon on AFOS.