Previously: Part 1.
Note: This is the second half of a bio I wrote about myself for my user profile at a
Secret Identities: The Asian American Superhero Anthology creators' wiki on Wetpaint.com. I wrote this list a few weeks before I saw
The Dark Knight, which would have wound up on the list had I seen the movie beforehand.
Watchmen wouldn't have made the list though. I have mixed feelings about that film.(*)
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5 FAVORITE SCREEN ADAPTATIONS OF SUPERHERO COMICS
1.
Batman: The Animated SeriesHighlights: The revamped origins for
Mr. Freeze and
Two-Face, the early conflict between Batman and the police, the spectacular animation and
Shirley Walker score during
"Feat of Clay, Part 2," the Gray Ghost,
"Harley and Ivy," Batman's hatred of It's a Wonderful Life,
Kevin Conroy's performances in
"Robin's Reckoning, Part 1," "Perchance to Dream" and
"I Am the Night," the "death" of Batgirl, the
Dark Knight Returns segment (and Joel Schumacher-bashing) in
"Legends of the Dark Knight."Worst moments: "I've Got Batman in My Basement," most of the episodes that were animated by AKOM (the worst of the many overseas studios that collaboed with Warner Bros. on
B:TAS), Nightwing's mullet.
2.
Batman BeginsHighlights: Wally Pfister's awesome cinematography, the realization during the Iceland-posing-as-Tibet sequences that this Batman wasn't going to be stagebound like the other films, Christian Bale's acting during the "party's over" speech, the excellent supporting cast, Jonathan Crane/Scarecrow's minimal dialogue, the lack of puns, "Do I look like a cop?!"
Worst moments: Why another love interest? Batman/Bruce has fuckbuddies, not soulmates. His one true love is his work.
3.
Iron ManHighlights: Robert Downey Jr.'s ad-libs, the Altman-esque dialogue, the performances by everyone in the cast, the character interplay, the evolution of the armor, Pepper saving Tony rather than the other way around, the final line before the closing credits.
Worst moments: Yinsen is essentially a rehash of the Magic Negro, despite a good performance by Shaun Toub.
4.
Justice League UnlimitedHighlights: The Cadmus arc,
the sight of Batman trying to buy a cup of joe inside a coffeehouse to stay awake,
the Justice Lords,
the jabs at Bill O'Reilly, Green Arrow's evolution from skeptical outsider to team booster/conscience, the guest shots by Joss Whedon alumni, the Question's secret love for teenybopper music,
the Ultimen,
the sight of Wonder Woman tucking the Atom into her cleavage,
the Superman/Captain Marvel battle, the writers' clever way of
getting Michael Rosenbaum to temporarily play his own character from Smallville.
Worst moments: The Batman Beyond retcon, the mostly forgettable pre-
Unlimited first season, the wonky CGI in the opening titles during the pre-
Unlimited seasons, the absence of a
B:TAS-style full orchestra.
5.
Spider-Man 2Highlights: Ock's hospital massacre, the fact that Peter has a crappy apartment, the J. Jonah Jameson scenes, the "Raindrops Keep Falling on My Head" montage, the el train sequence, Tobey Maguire doesn't cry too much in this one.
Worst moments: The Ock character was better fleshed out in Michael Chabon's early draft before it was script-doctored.
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(*) During the sequence in which Dan Dreiberg gets a visit from the beans-craving Rorschach in his kitchen, the IMAX theater where I saw Watchmen
experienced technical problems, and the projectionist had to stop running the film for about 15 minutes. The audience went apeshit, but they calmed down when the theater staff apologized and announced that they would offer re-admit passes to everyone at the end of the Watchmen
screening. Luckily, the 15-minute interruption didn't ruin my enjoyment of the film.
Here are the things I love about Zack Snyder's adaptation of Alan Moore and Dave Gibbons' anti-superhero comic: the brilliant opening title sequence--the lesbian twist on the "V-J Day in Times Square" photo was the coolest and funniest part--and Jackie Earle Haley's fierce performance as the crazed Rorschach. I also think the film's modified climax works better than the rather screwy psychic squid master plan in the comic. 
But the film has pacing problems--it feels rushed, resulting in a film that plays like a two-hour-and-40-minute theatrical cut of a 12-hour network TV miniseries. For instance, you don't get enough of a sense of the impact of Veidt's actions, which Gibbons hauntingly captured in the final chapter of the comic. (Will the extended cut that Snyder has planned for DVD and Blu-ray rectify the pacing problems?) I also don't like the wonky CGI for Veidt's genetically engineered lynx Bubastis and some of the hackneyed music choices, like "Ride of the Valkyries" during Dr. Manhattan's attack on the Vietcong. The lack of Elvis Costello on the film's soundtrack--the comic quoted Costello's "The Comedians"--kind of bums me out.
I like what AICN's Alexandra DuPont says about the Laurie Juspeczyk character. DuPont always thought of Laurie as "Karen Allen feisty--you could see how she was the sort of fiery woman who would attract powerful men despite her '80s-coke-queen exterior." Had Allen been a couple of decades younger, she would have been a better Laurie/Silk Spectre than Malin Akerman, who's too young to be playing a world-weary ex-"costumed adventurer." Also, I would have preferred Heroes
' Jack Coleman as Dan/Nite Owl--he's the right age for Dan, plus Hollywood ought to hire Coleman, the best actor on Heroes
, more often. But Patrick Wilson did a fine job and was more subtle than I expected as the washed-up, nerdy Dan.
God, I let this footnote go on too long. The end is nigh.
