Even though trying to keep track of the nearly 64 hours of music that are stored in A Fistful of Soundtracks' "Assorted Fistful" playlist (plus the two hours of music that make up AFOS' "Rock Box" playlist) can occasionally be a hassle, running AFOS(*) is a pretty simple task. I just hit "Shuffle" and Live365.com does the rest.
(*) It's AFOS. No bloody FOS or FFOS. It's always been AFOS. I've always wanted to shorten it to just AFOS because the acronym AFOS can stand for many different phrases besides A Fistful of Soundtracks, and I once jotted down a list of 12 of them (examples: "Ample Focus on Scores" and my personal favorite, "Asians Fucking Owning Shit"). The current iTunes Radio description of "Fistful of Soundtracks" is nine years old (it's taken from a summary of AFOS that I typed into Live365.com when I first launched AFOS over there in 2002, back when Live365 wouldn't let radio stations have names longer than 22 letters for some stupid reason). iTunes has never bothered to replace the old description with a present-day one.
Sometimes, weird things I have no control over start to happen on AFOS when it's in shuffle mode.
Mel Gibson, who's so famously fond of Jews, gets followed by a Jew.
Yeah, I like "Eye of the Tiger" too, Live365, but I don't like it as much as you do apparently.
Same thing with the movie Wild Things...
... or the end credits music from Thor.
Two different incarnations of Batman getting streamed back-to-back always amuses me...
... as does Angel, Batman and Zorro getting streamed in the same hour. (Angel is like the Batman of the Whedonverse. Batman was modeled partly after Zorro. Also, in DC's pre-"New 52" continuity--I'm not sure if it's been changed in the current continuity--Bruce Wayne lost his parents to a mugger after they attended a Mark of Zorro screening. If it were a Legend of Zorro screening, all three Waynes would have lost the will to live and killed themselves afterward.)
Live365 occasionally does screwy things to the Bollywood-centric "Chai Noon" block. Das racist!
Shuffle mode sometimes results in nifty unintentional double shots or triple shots like:
Brian Tyler Fast and the Furious sequel theme double shots.
Pam Grier movie theme double shots.
Jim Kelly movie theme double shots.
Themes from movies about Bruce Lee movies getting streamed in the same hour.
Battlestar Galactica/Star Trek double shots.
Galaxy Quest/Star Trek double shots.
Trek/Galactica/Galaxy Quest triple shots.
J.J. Abrams/Michael Giacchino collabo triple shots.
Christopher Nolan/Hans Zimmer collabo double shots.
End credits music quadruple shots.
"Movies with Run in the title" double shots.
"Unexpectedly gory L.A. movies" double shots.
Live365 once caused a weird pattern in which a theme from a Spike Lee Joint ended up getting followed by a Cowboy Bebop track--twice in a row. I hope someone on Deviantart was listening to AFOS during that hour and thought about drawing a Spike Lee/Spike Spiegel mash-up someday. Make it happen, Internet!
Wilfred the Matt Damon-loving dog must have tried to sabotage Live365 during this hour.
Showing posts with label Bruce Lee. Show all posts
Showing posts with label Bruce Lee. Show all posts
Thursday, 13 October 2011
Every day I'm shufflin'
Labels:
A Fistful of Soundtracks,
Batman,
Bruce Lee,
Cowboy Bebop,
Drive,
film music,
Internet radio,
iTunes,
Jim Kelly,
Live365,
Michael Giacchino,
Pam Grier,
Spike Lee,
Star Trek,
The Long Goodbye
Tuesday, 4 May 2010
"Aw hell, Chewbacca": 10 genuinely funny stand-up routines about movies

Patton Oswalt, one of the few stand-ups who have publicly sworn off Twitter ("I like having radio silence. I think radio silence is an important part of any public figure's day."), did the unthinkable this past weekend when he succumbed to the Twittersphere and started an account. As one can see from his act and his stint as a guest programmer at L.A.'s New Bev Cinema, movies are a topic the Big Fan star and Hollywood script doctor is passionate about, and they've led to some of my favorite Oswalt routines. Maybe we'll get a taste of some more Oswalt material about movies on his new Twitter page. To mark Oswalt's arrival on Twitter, where he's already on a roll and is demonstrating why stand-ups and comedy writers are the best kind of celebrity to follow on Twitter (unlike most other celebs, their tweets are rarely boring or shallow), here are 10 standout routines from the stand-up world about cinema. Four of these routines are Oswalt's.
10. Richard Pryor rewrites The Exorcist
The horror genre has always fascinated the late Pryor's former writing partner Paul Mooney, who's done brilliant jokes about the Frankenstein monster, white filmgoers' fears of the shark from Jaws and movies that skeevily put women in romantic situations with sci-fi monsters. He must have had a hand in writing Pryor's material about The Exorcist, which he and Pryor actually saw together at its Hollywood premiere. When Pryor guest-hosted SNL and brought along Mooney as a sketch writer, they did an amusing Exorcist sketch in which a pair of black priests (Pryor and Thalmus Rasulala) lose their patience with the possessed kid (Laraine Newman), who taunts Rasulala's priest with the cleaned-up-for-TV "Your mama sews socks that smell."
9. Scott Thompson sinks Titanic during an interview on Late Night with Conan O'Brien
"I don't think that to be a leading man, you have to be Harrison Ford, but I do think that you should be able to do at least one push-up. When little Leo finally kisses big Kate, I thought it was a lesbian scene."
8. Robert Klein reenacts every single Our Gang short you've seen
I actually like this routine from the 1973 album Child of the 50's more than "I Can't Stop My Leg." Klein's recreation of the Our Gang score music ("Hal Roach had four tunes that he played over and over again") is priceless.
7. Oswalt wonders what Star Wars would have been like if Nick Nolte won the role he actually auditioned for: Han Solo
"Fuckin' droids, beep, beep..."
6. Oswalt recalls one of the reasons why he left his hometown of Sterling, Virginia
The Blast of Silence-loving film geek gets worked up over the aggravating opinions of an NBC affiliate's out-of-touch film critic ("Yeah, so there's this new movie from Australia... called The Road Warrior. Now let me get this straight. It's the future, there's no gasoline, but everyone's driving around in cars. I don't get it. No stars!"). It's an oddly affecting routine that anyone who's aching to leave the hometown they despise--including right now, yours truly--can identify with.
5. Steve Byrne imagines how Bruce Lee had sex
This is a hilarious little routine that must be watched, not listened to. Why Byrne included it as a track on his 2005 CD Little by Little boggles the mind because 90 percent of it relies on visual gags. Without the visuals, it's like listening to a Marcel Marceau record album.
4. Mario Cantone does an impression of that annoying classroom song from The Birds
I'm disappointed that no one has posted Cantone's Birds routine on YouTube. If you watched a lot of Comedy Central during the late '90s like I did, you might have fond memories of the routine. The channel frequently reran it, yet it never got old. I always dug how instead of the Psycho shower scene or the North by Northwest crop-duster attack, Cantone chose a lesser-known Hitchcock movie moment to mock (and add some profane new lyrics to). And yes, when you watch The Birds, that song really does work your last nerve and make you want to go peck a defenseless hobo's eyes out like he's Suzanne Pleshette.
3. Oswalt wishes he could go back in time and kill George Lucas with a shovel
A lapsed Star Wars fan, Oswalt delivers a terrific argument against prequels. Yet that didn't stop Oswalt from joining the cast of one of them--Caprica.
2. Paul Mooney rips apart white Hollywood
During the long-out-of-print 1993 album Race, Mooney makes you never look at Disney's Beauty and the Beast the same way again ("Don't take your kids to see that shit. Four or five years from now, your kid'll be in the kitchen fucking the dog, singing 'Beauty and the Beast!'") and disses sci-fi and horror filmmakers for both their misogyny and weird fetishes for "exotic" interspecies romances (I wonder what Mooney has to say about Twilight and True Blood). But the best part of Mooney's amazing rant is when he explains why he detests Driving Miss Daisy ("I don't like that coonin' happy slave bullshit"). The movies that Mooney jokes about on the 1993 CD may be old now, but unfortunately, the stereotypes they reinforced still remain. Now if only there were an Asian American stand-up who isn't so subservient to the Man and will go onstage and rant about the Asian American version of all this.
1. Oswalt channels movie producer Robert Evans
I love how Oswalt often picks the most obscure pop culture-related topics for his act (Death Bed: The Bed That Eats is a recent example). An audience favorite at past Oswalt performances was his parody of the little-remembered ESPN radio ads that the Godfather and Rosemary's Baby producer recorded to promote the channel's programming. We see why Oswalt is frequently employed as a punch-up scriptwriter when he lets his imagination run wild with colorful, almost poetic-sounding descriptions of wild escapades with '70s celebrities ("Tom Wopat loved the three F's: food, fun and fisting. We took Gil Gerard out on my cigarette boat Memorial Day Weekend 1978, and I swear to you, over those sweet, savage 72 hours, he turned that poor man into his personal finger puppet.").
Labels:
Asian American comedians,
Bruce Lee,
George Lucas,
Mario Cantone,
NSFW,
Patton Oswalt,
Paul Mooney,
Richard Pryor,
Robert Klein,
Scott Thompson,
Star Wars,
Steve Byrne,
The Birds,
Titanic,
Twitter
Friday, 9 April 2010
Coming Soon to a Theater in an Alternate Reality Near You

This was originally going to be a regular feature on my blog. Two April Fools Days ago, I posted some fake movie posters I made in Photoshop and was going to create some more, but I forgot that I suck at Photoshop, so Coming Soon to a Theater in an Alternate Reality Near You never became a regular thing.
Lately online, I've spotted some amusing posters for movies that don't exist, including a You Offend Me You Offend My Family poster of a whitewashed version of Better Luck Tomorrow, so I'm bringing back Coming Soon to a Theater in an Alternate Reality Near You to compile the cleverest or funniest examples of fake poster art.

I'd enjoy this John Boorman-directed Bruce Lee version of The Matrix way more than the actual Matrix. Poster by Sean Hartter.

Mister Miracle by Hartter.

Black Panther by Hartter.

Coming soon to a TV in an alternate reality near you: the Lost spinoff Reyes and Straume (also by Hartter).

From the Vulture blog's "Date Night–Inspired NBC Team-Ups We'd Like to See on the Big Screen" slideshow.
From a 2004 Television Without Pity Pixel Challenge.

From Fark.com's "movies that never existed but should have" forum.

From Cracked.com's "If Hollywood Decided to Give Everything a Gritty Reboot" contest.

Another Cracked gritty reboot: Edward Norton's Cheers.

Another fake Cheers movie poster, this time from Worth1000.com.
The next three are from Cracked's "Worst Possible Casting Decisions" contest.


Saturday, 19 September 2009
Roc Raida (1972-2009)

I love how Roc Raida (real name: Anthony Williams), a legendary turntablist and member of the X-Ecutioners crew for those not in the know, cited Bruce Lee as an influence in the second video, a DJ tutorial he recorded for djvibe.com.
Friday, 19 June 2009
"I Need to Score" T-shirt by Shelf Life
The Deuce's PopeyePete linked in a recent tweet to a bunch of ill exploitation cinema-related T-shirts by the Cleveland-based Shelf Life Clothing. Here's the illest of them all:
These are the legendary film music composers whose faces are on the shirt:
Shelf Life's shirt design for their film music tee is way better than the shirt design I came up with for my CafePress store a long time ago:
In a hipster T-shirt market with too many racist companies and not enough Blacklavas, it's nice to see Shelf Life defy the market and be pro-Asian for a change:
These are the legendary film music composers whose faces are on the shirt:
Shelf Life's shirt design for their film music tee is way better than the shirt design I came up with for my CafePress store a long time ago:
In a hipster T-shirt market with too many racist companies and not enough Blacklavas, it's nice to see Shelf Life defy the market and be pro-Asian for a change:
Friday, 22 May 2009
Ain't that a kick in the head: Bruce Lee and Enter the Dragon still amaze
Throughout this year, I'm posting older material--like non-Blogspot posts from a few years ago, unpublished writing I've kept hidden in my computer and transcripts of Q&As from A Fistful of Soundtracks' terrestrial radio years.
Because it's Asian Pacific American Heritage Month, I've dug up a 1998 article that I wrote for the UC Santa Cruz publication Primer to celebrate what was then the 25th anniversary of a pivotal movie in the history of Asian American cinema, as well as one of the few martial arts flicks I like (just because I'm Asian doesn't mean I have to be a fan of the martial arts genre). Some hardcore martial arts genre fans will argue that Enter the Dragon shortchanges Bruce Lee or that it's too Hollywood and too derivative of the 007 franchise, but because I'm not a hardcore martial arts fan, I don't have the same gripes as they do.
Okay, maybe I'm with them on the "What the hell is John Saxon doing here?" thing. ("America had no idea that [Saxon] was also a practicing martial artist... He first became involved in the martial arts when he was 15 years old, initially studying judo and then taking up karate," wrote author John Little in the Enter the Dragon: The Making of a Classic Motion Picture book that Warner Home Video included in the 1998 Enter the Dragon VHS and DVD gift sets.) But otherwise, Enter the Dragon never fails to entertain, and it features the most badass score ever written for an Asian American action hero: the frequently sampled score by Lalo Schifrin, whose Mission: Impossible theme was one of Lee's favorite pieces of workout music.
---------------

Ain't that a kick in the head: Bruce Lee and Enter the Dragon still amaze after 25 years
By Jimmy Aquino
Bruce Lee made only five films and the then-unfinished Game of Death before he died from a mysterious swelling of the brain (or died from a curse or was assassinated, if you believe the conspiracy theorists) in Hong Kong on July 20, 1973, but 25 years later, fans are still flocking to his movies and kneeling at the church of jeet kune do, Lee's revolutionary kung fu technique emphasizing "the way of the intercepting fist."
Lee's female admirers make pilgrimages to Hong Kong. Men of all colors want to be like Lee, who taught martial arts to students of all races, creeds, genders and backgrounds, unlike his kung fu teacher elders, who were opposed to teaching students who weren't Chinese.
The first martial arts superstar, Lee was a genuine fighter and a charismatic actor (I'm not saying Lee was De Niro, but his "emotional content" speech in Enter the Dragon has more soul and passion than what passes for acting in Jean-Claude Van Damme and Steven Seagal movies). Not even charismatically challenged poseurs like Van Damme, the faded Seagal and David Carradine could erase the memory of the lightning-quick legend nicknamed the Dragon, a pioneer in Asian American cinema who sought stardom on his own when racist Hollywood spurned him because producers didn't think an Asian man could sell tickets or rack up Nielsens. (Van Damme, the post-Under Siege Seagal and Carradine are to martial arts what Vanilla Ice was to hip-hop. Put these has-beens in a room with Lee, and he'd automatically win the throwdown, with moves like the 13 punches he could throw in half a second.)

Enter the Dragon made Hollywood put its foot in its mouth. Released a few weeks after Lee's death, the film was his most popular work, and it made him the first Asian male sex symbol. (Bruce's son Brandon also found stardom posthumously, with 1994's The Crow.) To mark its 25th anniversary, Warner Bros. re-released Enter the Dragon in Lee's birthplace, San Francisco, and put out a highly anticipated DVD. The movie still holds up well today. The script is standard kung fu B-movie material, but Lee is at his most charismatic, the production values are stunning and the martial arts choreography is legendary. As SF Weekly's Michael Sragow said, Lee makes his choreographed moves look spontaneous. Lee's fighting style is, as his character describes it in the film, "the art of fighting without fighting."
Primer dedicates this page to the man who once said, "The end of heroes is the same as ordinary men. They all die and gradually fade away in the memory of man." Famous last words from someone whose memory has hardly faded at all. (To the managers of the Nickelodeon or the Rio, if you're reading this, please bring Enter the Dragon to Santa Cruz or we're gonna have to get kung fu on your asses!)
Because it's Asian Pacific American Heritage Month, I've dug up a 1998 article that I wrote for the UC Santa Cruz publication Primer to celebrate what was then the 25th anniversary of a pivotal movie in the history of Asian American cinema, as well as one of the few martial arts flicks I like (just because I'm Asian doesn't mean I have to be a fan of the martial arts genre). Some hardcore martial arts genre fans will argue that Enter the Dragon shortchanges Bruce Lee or that it's too Hollywood and too derivative of the 007 franchise, but because I'm not a hardcore martial arts fan, I don't have the same gripes as they do.
Okay, maybe I'm with them on the "What the hell is John Saxon doing here?" thing. ("America had no idea that [Saxon] was also a practicing martial artist... He first became involved in the martial arts when he was 15 years old, initially studying judo and then taking up karate," wrote author John Little in the Enter the Dragon: The Making of a Classic Motion Picture book that Warner Home Video included in the 1998 Enter the Dragon VHS and DVD gift sets.) But otherwise, Enter the Dragon never fails to entertain, and it features the most badass score ever written for an Asian American action hero: the frequently sampled score by Lalo Schifrin, whose Mission: Impossible theme was one of Lee's favorite pieces of workout music.
---------------

Ain't that a kick in the head: Bruce Lee and Enter the Dragon still amaze after 25 years
By Jimmy Aquino
Bruce Lee made only five films and the then-unfinished Game of Death before he died from a mysterious swelling of the brain (or died from a curse or was assassinated, if you believe the conspiracy theorists) in Hong Kong on July 20, 1973, but 25 years later, fans are still flocking to his movies and kneeling at the church of jeet kune do, Lee's revolutionary kung fu technique emphasizing "the way of the intercepting fist."
Lee's female admirers make pilgrimages to Hong Kong. Men of all colors want to be like Lee, who taught martial arts to students of all races, creeds, genders and backgrounds, unlike his kung fu teacher elders, who were opposed to teaching students who weren't Chinese.
The first martial arts superstar, Lee was a genuine fighter and a charismatic actor (I'm not saying Lee was De Niro, but his "emotional content" speech in Enter the Dragon has more soul and passion than what passes for acting in Jean-Claude Van Damme and Steven Seagal movies). Not even charismatically challenged poseurs like Van Damme, the faded Seagal and David Carradine could erase the memory of the lightning-quick legend nicknamed the Dragon, a pioneer in Asian American cinema who sought stardom on his own when racist Hollywood spurned him because producers didn't think an Asian man could sell tickets or rack up Nielsens. (Van Damme, the post-Under Siege Seagal and Carradine are to martial arts what Vanilla Ice was to hip-hop. Put these has-beens in a room with Lee, and he'd automatically win the throwdown, with moves like the 13 punches he could throw in half a second.)

Enter the Dragon made Hollywood put its foot in its mouth. Released a few weeks after Lee's death, the film was his most popular work, and it made him the first Asian male sex symbol. (Bruce's son Brandon also found stardom posthumously, with 1994's The Crow.) To mark its 25th anniversary, Warner Bros. re-released Enter the Dragon in Lee's birthplace, San Francisco, and put out a highly anticipated DVD. The movie still holds up well today. The script is standard kung fu B-movie material, but Lee is at his most charismatic, the production values are stunning and the martial arts choreography is legendary. As SF Weekly's Michael Sragow said, Lee makes his choreographed moves look spontaneous. Lee's fighting style is, as his character describes it in the film, "the art of fighting without fighting."
Primer dedicates this page to the man who once said, "The end of heroes is the same as ordinary men. They all die and gradually fade away in the memory of man." Famous last words from someone whose memory has hardly faded at all. (To the managers of the Nickelodeon or the Rio, if you're reading this, please bring Enter the Dragon to Santa Cruz or we're gonna have to get kung fu on your asses!)
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