Five killer samples that most people didn't know originated from film score music

Cee-Lo recently dropped his new single "Fuck You" on the Internet, and the delightfully profane break-up anthem, which originated from a song idea that Bruno Mars and Philip Lawrence of "Nothin' on You" fame pitched to Cee-Lo, has become a viral sensation. Before "Fuck You" (which has spawned a lame radio edit called "Forget You"), the Gnarls Barkley singer and former Goodie Mob MC's most popular track was his 2006 Gnarls hit "Crazy." Even though I got sick of hearing "Crazy" all over the place back in '06, I loved how Danger Mouse, the beatmaker half of Gnarls, sampled an obscure spaghetti western score during "Crazy." Not many people knew that the catchy bass line and strings were copped from Gianfranco Reverberi's "Nel Cimitero di Tucson," a score cue from 1968's Preparati la bara!, a.k.a. Viva Django. Here are five other killer samples that many listeners--including myself in some instances--didn't know came from film score music.


1. Jay-Z and Alicia Keys' "Empire State of Mind" drum break, 2009 (from Isaac Hayes' "Breakthrough" from Truck Turner, 1974) [WhoSampled comparison page]
The opening drum solo in "Breakthrough" is the Betty White of drum breaks: old and ubiquitous but reliable and entertaining every time. H.O.V.A.'s biggest hit of his career is the latest of many joints to sample "Breakthrough," an instrumental you can now check out during the daily "Assorted Fistful" block on A Fistful of Soundtracks.

2. Sneaker Pimps' "6 Underground" harp melody, 1996 (from John Barry's "Golden Girl" from Goldfinger, 1964) [WhoSampled comparison page]
If you were in college in the late '90s, you probably made out to "6 Underground." Did you know you were actually making out to the music from the dead-naked-chick-covered-in-gold-paint scene from Goldfinger?

3. Cibo Matto's "Sugar Water" wordless melody, 1996 (from Ennio Morricone's "Sospesi Nel Cielo" from Malamondo, 1964) [WhoSampled comparison page]
One of my favorite videos from the '90s is the Michel Gondry-directed video for "Sugar Water" (a.k.a. the song that soundtracked Buffy's sexy dance with Xander during her "Joan Collins 'tude" phase). My recent discovery that the duo sampled Morricone's Malamondo score made me love "Sugar Water" even more.

4. Ghostface Killah's "Alex (Stolen Script)" bass line and strings, 2006 (from Henry Mancini's Thief Who Came to Dinner theme, 1973) [WhoSampled comparison page]
MF Doom's sense of humor really comes through in his choice of the theme from the Ryan O'Neal/Jacqueline Bisset caper movie The Thief Who Came to Dinner (when's Warner Archives going to release that flick?) for Ghostface's How to Make It in America-esque tale of a Hollywood thief who comes to dinner--or to be more exact, a P.F. Chang's pitch meeting with the song's title hustler, who's pitching to him the script for Jamie Foxx's Ray biopic--and proceeds to steal Alex's copy of the Ray script. As music critic Jeff Weiss once wrote about this Ghostface chune, "Aspiring MC's should study this like the Rosetta Stone."

5. Wu-Tang Clan's "Rushing Elephants" brass riffs, 2007 (from Morricone's "Marche en La" from Espion, lève-toi, 1982) [WhoSampled comparison page]
My favorite film composer and my favorite experts on martial arts cinema "unite."

The Palace: Death to Skinny Jeans begins Monday and concludes December 28

As with all other arcs of the Palace webcomic, which I've written and illustrated from time to time since 2008, I'll be posting one strip per day for an entire week. I wanted to post the latest arc last week, but I had to make a last-minute change to a script for one particular strip. I scrapped that strip's original sight gag because the subject of that gag--Skids, half of Transformers: Revenge of the Fallen's pair of Amos n' Andybots--was just too difficult for me to recreate in pencil and ink. Thanks a lot, Transformers sequel character designers, for making your bots so damn difficult to draw.

(I miss the Boondocks comic strip so much. I wonder how Aaron McGruder would have immediately reacted to Skids and Mudflap. And I wonder if he'll reference them in the Boondocks animated series' forthcoming third season.)

So because of that last-minute change, The Palace's new arc will unfold this Christmas Week, even though the arc isn't exactly Christmassy. But it references some of the most infamous moments involving America's favorite pastime of insulting Asian Americans, race, pop music and fashion in the past year, so I guess it is a good time to post the arc because many of the sites I click to are currently posting their year-end (or in the cases of The A.V. Club and The Playlist, decade-end) wrap-ups.

During this arc, I realized I draw best when I'm hearing music in the background. My computer is broken, and my iPod Nano appears to be on its last legs, so I've had to flip XM's alt-rock, hip-hop and R&B stations on while drawing the latest arc. "Empire State of Mind" does wonders for my illustrator's block. Now that's what I call a banger.

Late Night with the Roots Featuring Jimmy Fallon

Right now, Late Night with Jimmy Fallon has the rockingest theme song on TV (the Roots' sped-up version of their own 2006 tune "Here I Come," the complete opposite of The Jay Leno Show's lame opening theme, which Vulture amusingly slammed as "a rejected demo from the Beverly Hills 90210 sessions"), as well as the illest late night band (the Philly collective is one of the few bands whose albums I always buy). The Roots always pick the cleverest and most playful walk-on music for Fallon's guests, from Jay-Z's "Lost One" for Lost's Jorge Garcia to Quiet Riot's "Bang Your Head" for head-butting gossip column favorite Kiefer Sutherland. (The Late Night blog keeps track of the walk-on music, easily my favorite part of Fallon's show.) Last night, the Roots awesomely welcomed Dennis Quaid with the Lalo Schifrin theme from Quaid's 1981 movie Caveman. ?uestlove, Black Thought and their cohorts have officially outed themselves as film score geeks.

Auto-Tune the News: Katie Couric holdin' it down

Auto-Tune may be dead to Jay-Z and music critics, but the haters haven't been able to stop the Gregory Brothers from continuing to give news shows like the CBS Evening News the Auto-Tune treatment.

This is their best video so far.

AFOS: "Kids Come Running for the Rich Taste of Samples" playlist

Airing tomorrow at 10am and 3pm Pacific on the Fistful of Soundtracks channel is the Fistful of Soundtracks: The Series episode "Kids Come Running for the Rich Taste of Samples" (WEB87) from February 26-March 4, 2007. The title is a play on the classic MST3K line "Kids come running for the rich taste of Sampo!" In WEB87, I played '70s--and at one particular point, '80s--themes that have been sampled by hip-hop artists and juxtaposed them with the songs that contain those film and TV music samples.


1. Johnny Pate, "Shaft in Africa (Addis)" (from Shaft in Africa), The Best of Shaft, Hip-O
2. Jay-Z, "Show Me What You Got," Kingdom Come, Roc-A-Fella
3. Curtis Mayfield, "Superfly," Superfly: Deluxe 25th Anniversary Edition, Curtom/Rhino
4. Beastie Boys, "Egg Man," Paul's Boutique, Capitol
5. Isaac Hayes, "Hung Up on My Baby" (from Three Tough Guys), Double Feature: Music from the Soundtracks of Three Tough Guys & Truck Turner, Stax
6. Geto Boys, "Mind Playing Tricks on Me," We Can't Be Stopped, Rap-A-Lot
7. Shirley Bassey, "Diamonds Are Forever (Main Title)," Diamonds Are Forever, EMI/Capitol
8. Kanye West featuring Jay-Z, "Diamonds from Sierra Leone (Remix)," Late Registration, Roc-A-Fella
9. Quincy Jones, "The Streetbeater (Sanford & Son Theme)," The Reel Quincy Jones, Hip-O
10. Masta Killa, Ol' Dirty Bastard and RZA, "Old Man," No Said Date, Nature Sounds
11. David Shire, "Main Title," The Taking of Pelham One Two Three, Retrograde
12. Mix Master Mike, "Suprize Packidge (Remix)," Suprize Packidge (The Automator Remix), Asphodel
13. Dennis Coffey, "Theme from Black Belt Jones," Do You Pick Your Feet in Poughkeepsie?, Paul Nice Productions
14. Lalo Schifrin, "The Human Fly," Enter the Dragon, Warner Home Video
15. Love Unlimited Orchestra, "Theme from Together Brothers," Funk on Film, Chronicles/PolyGram
16. Stu Phillips, "Knight Rider," NBC: A Soundtrack of Must See TV, TVT

During the ep, I mentioned the time when a Conan O'Brien interview with Drew Barrymore drifted to the topic of TV themes. Viewers found out the frequently sampled Knight Rider theme was one of her favorite TV themes because its groove sounded sexy to her. I said, "Remind me to play the Knight Rider theme for Drew Barrymore if I ever run into her."

Conan likes to make fun of the sappy--and creepy--Charles in Charge theme ("I want Charles in charge of me!"), and on his old show, whenever someone would bring up theme songs, he'd break into a hilariously earnest version of the song that's way too enamored with Scott Baio. Now that he's up in the big leagues, I'm not sure if Conan will allow himself to sing obscure and dorky TV themes anymore, although Will Arnett, who's apparently a huge Mike Post fan, got the chance to resume his Law & Order theme air-guitar bit at the end of his interview Monday night, so that's a good sign.

Classic Star Trek now remastered with added lens flares

This YouTube video by user "partmor" cracked me up--it's the vintage 1967 trailer for the old-school Star Trek episode "Space Seed," but what if it were filled with the lens flares that cinematographer Daniel Mindel (Enemy of the State, Mission: Impossible III) made heavy use of during J.J. Abrams' Star Trek(*)? Someone was obsessed with Holly Valance's naked "Kiss Kiss" video, All Saints' "Never Ever" video and Jay-Z's "Jigga What, Jigga Who" video while working on the new Star Trek.



[Via Geeks of Doom]

And this concludes today's edition of "Stuff That's Funny Only to Cinematography Geeks."

(*) Abrams' Trek is the best Trek feature film since 1996's First Contact. Michael Giacchino's exciting Trek score is a nice throwback to the epic sounds of '80s Trek film composers Jerry Goldsmith and James Horner after years of yawn-inducing, tinny-sounding musical wallpaper by Rick Berman's stable of composers. Giacchino's "That New Car Smell" cue (track 13 on the Varèse Sarabande score album) is straight out of those '80s Goldsmith/Horner Trek scores.

Obamicons created by me

Below are Obamicons I created on Paste Magazine's Create Your Obamicon site, which allows users to do their own posters in the style of Shepard Fairey's Obama "Hope" poster.