Even though trying to keep track of the nearly 64 hours of music that are stored in A Fistful of Soundtracks' "Assorted Fistful" playlist (plus the two hours of music that make up AFOS' "Rock Box" playlist) can occasionally be a hassle, running AFOS(*) is a pretty simple task. I just hit "Shuffle" and Live365.com does the rest.
(*) It's AFOS. No bloody FOS or FFOS. It's always been AFOS. I've always wanted to shorten it to just AFOS because the acronym AFOS can stand for many different phrases besides A Fistful of Soundtracks, and I once jotted down a list of 12 of them (examples: "Ample Focus on Scores" and my personal favorite, "Asians Fucking Owning Shit"). The current iTunes Radio description of "Fistful of Soundtracks" is nine years old (it's taken from a summary of AFOS that I typed into Live365.com when I first launched AFOS over there in 2002, back when Live365 wouldn't let radio stations have names longer than 22 letters for some stupid reason). iTunes has never bothered to replace the old description with a present-day one.
Sometimes, weird things I have no control over start to happen on AFOS when it's in shuffle mode.
Mel Gibson, who's so famously fond of Jews, gets followed by a Jew.
Yeah, I like "Eye of the Tiger" too, Live365, but I don't like it as much as you do apparently.
Same thing with the movie Wild Things...
... or the end credits music from Thor.
Two different incarnations of Batman getting streamed back-to-back always amuses me...
... as does Angel, Batman and Zorro getting streamed in the same hour. (Angel is like the Batman of the Whedonverse. Batman was modeled partly after Zorro. Also, in DC's pre-"New 52" continuity--I'm not sure if it's been changed in the current continuity--Bruce Wayne lost his parents to a mugger after they attended a Mark of Zorro screening. If it were a Legend of Zorro screening, all three Waynes would have lost the will to live and killed themselves afterward.)
Live365 occasionally does screwy things to the Bollywood-centric "Chai Noon" block. Das racist!
Shuffle mode sometimes results in nifty unintentional double shots or triple shots like:
Brian Tyler Fast and the Furious sequel theme double shots.
Pam Grier movie theme double shots.
Jim Kelly movie theme double shots.
Themes from movies about Bruce Lee movies getting streamed in the same hour.
Battlestar Galactica/Star Trek double shots.
Galaxy Quest/Star Trek double shots.
Trek/Galactica/Galaxy Quest triple shots.
J.J. Abrams/Michael Giacchino collabo triple shots.
Christopher Nolan/Hans Zimmer collabo double shots.
End credits music quadruple shots.
"Movies with Run in the title" double shots.
"Unexpectedly gory L.A. movies" double shots.
Live365 once caused a weird pattern in which a theme from a Spike Lee Joint ended up getting followed by a Cowboy Bebop track--twice in a row. I hope someone on Deviantart was listening to AFOS during that hour and thought about drawing a Spike Lee/Spike Spiegel mash-up someday. Make it happen, Internet!
Wilfred the Matt Damon-loving dog must have tried to sabotage Live365 during this hour.
Showing posts with label Jim Kelly. Show all posts
Showing posts with label Jim Kelly. Show all posts
Thursday, 13 October 2011
Every day I'm shufflin'
Labels:
A Fistful of Soundtracks,
Batman,
Bruce Lee,
Cowboy Bebop,
Drive,
film music,
Internet radio,
iTunes,
Jim Kelly,
Live365,
Michael Giacchino,
Pam Grier,
Spike Lee,
Star Trek,
The Long Goodbye
Tuesday, 15 March 2011
Coffey is the color
To promote the upcoming self-titled album by legendary and frequently sampled Motown guitarist Dennis Coffey, Strut Records recently dropped a fantastic 45-minute mix of old Coffey tunes, hip-hop tracks that sampled Coffey's work and new material from the April 26 release. The instrumental jam "7th Galaxy," a new joint from Coffey's Strut album, starts at 04:55 in the "Constellations" mix, which was assembled by DJ House Shoes. "7th Galaxy" needs to turn up as chase music in a TV show or movie pronto.
The mix includes one of my all-time favorite movie themes, Coffey's Black Belt Jones theme, and another blaxploitation soundtrack tune that features Coffey's guitar work, Edwin Starr's "Easin' In" from Hell Up in Harlem. I was first exposed to "Easin' In" via "Nickel Bags" by Digable Planets, while LL Cool J's "Jingling Baby" introduced me to the Black Belt Jones theme.
I once saw a TCM featurette that pointed out that the Magnificent Seven montage of Yul Brynner and his crew journeying on horseback to the Mexican villagers looked really lethargic and unexciting without Elmer Bernstein's energetic main theme. The Black Belt Jones opening title sequence takes place in the dullest of settings, an L.A. parking lot--not exactly the most dynamic location to showcase the martial arts skills ofBushido Brown Jim Kelly. I guess director Robert Clouse had much less dough to work with than he did on his previous movie with Kelly, the Hong Kong-based Enter the Dragon. Like Bernstein's theme during the Magnificent Seven montage, Coffey's funky theme helps distract you from how shabby the opening title sequence looks despite the fisticuffs (ComicsAlliance editor Chris Sims noted on his Invincible Super-Blog that even the fisticuffs look compromised too: "It may SEEM like Black Belt Jones is moving slow, and that the guys he's fighting are drunk, but I assure you that's not the case. In order to get an 'R' rating they actually had to slow the film down because audiences in the Seventies could not handle that much brutal action.").
YouTube comments sections are too often full of inane or racist junk, but there was one comment below the video of the Black Belt Jones opening credits that amused me and caused me to do something I've never done before in a YouTube comments section, and that's click on "thumbs up":
"Obama should enter Congress with this theme and kick some Republican butt."
Word.
There are so many hot beats in Strut's Coffey mix, which concludes with "All Your Goodies Are Gone," a terrific blue-eyed soul collabo with Mayer Hawthorne from the new album, a release that Strut hopes will introduce Coffey to a new generation of beatheads. I particularly enjoyed the mix's juxtapositions of "Jingling Baby" with the Black Belt Jones breakbeat and "Easin' In" with "Nickel Bags."
Constellations - The A to Z of Dennis Coffey: A Mix By House Shoes by Strut
[Via Potholes in My Blog]
The mix includes one of my all-time favorite movie themes, Coffey's Black Belt Jones theme, and another blaxploitation soundtrack tune that features Coffey's guitar work, Edwin Starr's "Easin' In" from Hell Up in Harlem. I was first exposed to "Easin' In" via "Nickel Bags" by Digable Planets, while LL Cool J's "Jingling Baby" introduced me to the Black Belt Jones theme.
I once saw a TCM featurette that pointed out that the Magnificent Seven montage of Yul Brynner and his crew journeying on horseback to the Mexican villagers looked really lethargic and unexciting without Elmer Bernstein's energetic main theme. The Black Belt Jones opening title sequence takes place in the dullest of settings, an L.A. parking lot--not exactly the most dynamic location to showcase the martial arts skills of
![]() |
| (Photo source: Cinema is Dope/Museum of Cinema) |
YouTube comments sections are too often full of inane or racist junk, but there was one comment below the video of the Black Belt Jones opening credits that amused me and caused me to do something I've never done before in a YouTube comments section, and that's click on "thumbs up":
"Obama should enter Congress with this theme and kick some Republican butt."
Word.
There are so many hot beats in Strut's Coffey mix, which concludes with "All Your Goodies Are Gone," a terrific blue-eyed soul collabo with Mayer Hawthorne from the new album, a release that Strut hopes will introduce Coffey to a new generation of beatheads. I particularly enjoyed the mix's juxtapositions of "Jingling Baby" with the Black Belt Jones breakbeat and "Easin' In" with "Nickel Bags."
Constellations - The A to Z of Dennis Coffey: A Mix By House Shoes by Strut
[Via Potholes in My Blog]
Labels:
Barack Obama,
Black Belt Jones,
Dennis Coffey,
Elmer Bernstein,
film music,
Hell Up in Harlem,
hip-hop,
House Shoes,
Jim Kelly,
Motown,
sampling,
Strut Records,
The Magnificent Seven,
YouTube
Subscribe to:
Posts (Atom)























