Every day I'm shufflin'

Even though trying to keep track of the nearly 64 hours of music that are stored in A Fistful of Soundtracks' "Assorted Fistful" playlist (plus the two hours of music that make up AFOS' "Rock Box" playlist) can occasionally be a hassle, running AFOS(*) is a pretty simple task. I just hit "Shuffle" and Live365.com does the rest.

(*) It's AFOS. No bloody FOS or FFOS. It's always been AFOS. I've always wanted to shorten it to just AFOS because the acronym AFOS can stand for many different phrases besides A Fistful of Soundtracks, and I once jotted down a list of 12 of them (examples: "Ample Focus on Scores" and my personal favorite, "Asians Fucking Owning Shit"). The current iTunes Radio description of "Fistful of Soundtracks" is nine years old (it's taken from a summary of AFOS that I typed into Live365.com when I first launched AFOS over there in 2002, back when Live365 wouldn't let radio stations have names longer than 22 letters for some stupid reason). iTunes has never bothered to replace the old description with a present-day one.

Sometimes, weird things I have no control over start to happen on AFOS when it's in shuffle mode.

Mel Gibson, who's so famously fond of Jews, gets followed by a Jew.

Yeah, I like "Eye of the Tiger" too, Live365, but I don't like it as much as you do apparently.

Same thing with the movie Wild Things...

... or the end credits music from Thor.

Two different incarnations of Batman getting streamed back-to-back always amuses me...

... as does Angel, Batman and Zorro getting streamed in the same hour. (Angel is like the Batman of the Whedonverse. Batman was modeled partly after Zorro. Also, in DC's pre-"New 52" continuity--I'm not sure if it's been changed in the current continuity--Bruce Wayne lost his parents to a mugger after they attended a Mark of Zorro screening. If it were a Legend of Zorro screening, all three Waynes would have lost the will to live and killed themselves afterward.)

Live365 occasionally does screwy things to the Bollywood-centric "Chai Noon" block. Das racist!

Shuffle mode sometimes results in nifty unintentional double shots or triple shots like:

Brian Tyler Fast and the Furious sequel theme double shots.

Pam Grier movie theme double shots.

Jim Kelly movie theme double shots.

Themes from movies about Bruce Lee movies getting streamed in the same hour.

Battlestar Galactica/Star Trek double shots.

Galaxy Quest/Star Trek double shots.

Trek/Galactica/Galaxy Quest triple shots.

J.J. Abrams/Michael Giacchino collabo triple shots.

Christopher Nolan/Hans Zimmer collabo double shots.

End credits music quadruple shots.

"Movies with Run in the title" double shots.

"Unexpectedly gory L.A. movies" double shots.

Live365 once caused a weird pattern in which a theme from a Spike Lee Joint ended up getting followed by a Cowboy Bebop track--twice in a row. I hope someone on Deviantart was listening to AFOS during that hour and thought about drawing a Spike Lee/Spike Spiegel mash-up someday. Make it happen, Internet!

Wilfred the Matt Damon-loving dog must have tried to sabotage Live365 during this hour.

New Year's Day means changes to AFOS programming

I'm renaming one of the AFOS programming blocks. Starting January 3, "The F Zone," which focuses on "needle drops" (non-original songs during films like High Fidelity and the Harold & Kumar series and shows like Breaking Bad and Community), becomes "Rock Box." The time slots for "Rock Box" are 4-6am, 9-11am and 3-5pm on Mondays and 5-7am, 9-11am and 3-5pm on Fridays.

In November, I created a block called "New Cue Revue," which streams selections from new releases (or albums that aren't exactly new but are new to the "Assorted Fistful" playlist). It moves to Wednesdays at 10-11am and 4-5pm and Fridays at 11am-noon.

A new block called "The Street" will focus on my favorite kind of film or TV score album: the funky-sounding kind, the kind that gets frequently sampled by beatmakers. Curtis Mayfield, Isaac Hayes, David Holmes and newcomer Adrian Younge will get tons of airplay here. "The Street" airs on Mondays at 6-9am and noon-3pm, Tuesdays through Thursdays at 6-9am and 1-4pm and Fridays at 7-9am and 1-3pm.

The listeners who evaluate my playlists' tracks on Live365.com tend to give low star ratings to the funkier or more soulful-sounding ones. Live365 has listeners rate tracks because the site thinks this helps its station programmers decide which tracks to keep and which ones to get rid of. Well, it doesn't help this station programmer because I don't care about those listeners' ratings anyway. Every time someone on Live365 gives a track one and a half stars, it makes me want to find ways to stream it more often.

Whenever I upload a new track to one of my playlists, I always have to block my eyes from the ratings to keep myself from getting pissed off at a negative one. What the hell are those listeners doing hanging around AFOS anyway? I bet they want another StreamingSoundtracks or another Permanent Waves. AFOS is a little different from them. It streams certain subgenres of film or TV score music that those stations tend to ignore.

"The Street" is my three-hour middle finger to those people who give one and a half stars to classic tracks like "Pusherman." On Fridays, the block is two hours because my middle finger will get tired by the end of the week.

AFOS: "Four-Star Playlist" tracks

Airing today at 10am and 3pm on A Fistful of Soundtracks is the Fistful of Soundtracks: The Series episode "Four-Star Playlist" (WEB83) from January 1-7, 2007. Each track during WEB83 received at one time or another a four-star rating or higher from Live365.com listeners. I had a bad cold when I recorded WEB83. I sounded like Peter Brady.

The instrumental bed during WEB83's opening segment is "Who Got Da Props" by Black Moon.

1. Duran Duran, "A View to a Kill," The Best of James Bond: 30th Anniversary Limited Edition, EMI
2. James Horner, "Main Title," Star Trek II: The Wrath of Khan, GNP/Crescendo
3. Hans Zimmer and James Newton Howard, "Vespertilio," Batman Begins, Warner Sunset/Warner Home Video
4. Ennio Morricone featuring Christy, "Deep Down" (from Danger: Diabolik), Canto Morricone: The Ennio Morricone Songbook, Vol. 1, Bear Family
5. 702, "Pootie Tangin'," Pootie Tang, Hollywood
6. Jerry Goldsmith, "Old Bagdad," The 13th Warrior, Varèse Sarabande
7. Bill Conti, "Going the Distance," Rocky, EMI
8. Michael Giacchino, "'Humpty Dumpty Sat on a Wall,'" Mission: Impossible III, Varèse Sarabande
9. Marilyn Manson, "Resident Evil Main Title Theme," Resident Evil, Roadrunner/UMG Soundtracks
10. Bear McCreary, "Battle on the Asteroid," Battlestar Galactica: Season One, La-La Land
11. Lyle Lanley & Cast, "The Monorail Song," The Simpsons: Songs in the Key of Springfield, Rhino
12. John Barry, "Gumbold's Safe," On Her Majesty's Secret Service, EMI/Capitol
13. Ennio Morricone, "Magic and Ecstasy" (from Exorcist II: The Heretic), A Fistful of Film Music: The Ennio Morricone Anthology, Rhino
14. BC Smith featuring Ulali, "Forgive Our Fathers Suite featuring Wahjeeleh-Yihm," Smoke Signals, TVT Soundtrax

Reruns of AFOS: The Series air Wednesdays at 10am and 3pm. To listen to the station during either of those time slots (or right now), press the play icon on the blue widget below the "About me" mini-bio on this blog.

The reason why A Fistful of Soundtracks isn't in podcast form

Bryan Magan is the latest of several listeners who have asked me, "I'd like to have A Fistful of Soundtracks on my iPod, so what are the chances of turning it into a podcast?"

The chances are nil.

If A Fistful of Soundtracks were a podcast, I'd end up more broke than I already am. It costs less to run AFOS as a Live365 radio station than as a podcast, which is why I've never joined the podcastosphere, where, because of the kind of music I play, I'd have to deal with expensive music licensing fees and other legal issues.

It's illegal for podcasters to include copyrighted music on their shows, unless the label or copyright owner gives them clearance. And then comes my favorite part--the labels' hefty licensing fees. That's why a lot of podcasters who prefer to be law-abiding ones choose to do their podcasts as talk shows rather than music shows. Some of the more law-abiding podcasters who have music shows only use songs that are already cleared for podcast use, a.k.a. "podsafe."

If you want some AFOS on your iPod, use a streaming audio capture tool to record some of the stream, allowing you to be able to hear AFOS anytime, anywhere.