Showing posts with label Patton Oswalt. Show all posts
Showing posts with label Patton Oswalt. Show all posts

Wednesday, 9 November 2011

Tastes like Fresno

If Fresno were a 2011 TV show instead of a 1986 show, the raisins would be heavily Botoxed.
(Photo source: TV Time Capsule)
The craziest damn thing on TV right now is not American Horror Story. It's the funny six-part miniseries The Heart, She Holler, which is airing for six straight nights on Adult Swim until Friday. The Heart, She Holler is the Southern Gothic story of Hurlan Heartshe (Patton Oswalt, looking like a stand-in for Nick Swardson in Bucky Larson: Born to Be a Star), a feral man-child who must battle with his poor-white-trash sisters, the devious Hurshe (Kristen Schaal) and the telekinetic Hambrosia (Heather Lawless), for control of Heartshe Holler, the small town that Hurlan inherited from their deceased cult leader father. The inbred yokels who populate Heartshe Holler are so filthy even Cletus from The Simpsons would tell them, "Git yerself a washcloth!"

Because it's from the minds of Wonder Showzen creators Vernon Chatman and John Lee, The Heart, She Holler gets its laughs from nightmarish and meth-y imagery that would cause most of the viewers who made a hit out of Modern Family (a show Schaal once guest-starred on) to puke into their tubs of Häagen-Dazs. A man pulls from an electric outlet intestines that go on forever. Another man French-kisses a glory hole that was carved into the cover of a Bible. If this show had a Baby Lily in its cast, she'd probably be walking around with a rotting piece of roadkill as her dolly.

The Heart, She Holler's nightly miniseries format and Schaal's soapy villainess both remind me of another comedy miniseries that aired over the course of one week 25 Novembers ago: Newhart creator Barry Kemp's not-as-meth-y Fresno. From November 16 to November 20, 1986 on CBS, this spoof of wealth-obsessed '80s CBS nighttime soaps like Falcon Crest and the soon-to-be-revived-on-TNT Dallas followed the nasty power struggle between the Kensington raisin empire, led by matriarch Charlotte Kensington (Carol Burnett), and rival raisin baron Tyler Cane (Dabney Coleman). Caught up in the feud are Charlotte's dickish eldest son Cane (Charles Grodin), his unhappy nympho wife Talon (Teri Garr), Charlotte's demure adopted daughter Tiffany (Valerie Mahaffey), the always shirtless ranch hand Torch (Trapper John, M.D. star Gregory Harrison, poking fun at his '80s himbo persona), gardener-turned-corporate spy Juan (Luis Avalos), country singer Bobbi Jo Bobb (Teresa Ganzel) and her convict husband Billy Joe (Bill Paxton!).

Shot on a bigger budget than The Heart, She Holler (for example, the gowns were designed by a name I became familiar with because I'd see it pop up during so many '70s or '80s opening or closing credits: Bob Mackie of Burnett's Gone with the Wind sketch gown fame), Fresno isn't quite a classic, but it's a fun comedic soap made for viewers like me who avoid actual nighttime soaps like the plague. Maybe if each episode had been 11 minutes long like each installment of The Heart, She Holler or other live-action Adult Swim shows like Childrens Hospital, the current live-action crown jewel of the Adult Swim lineup, and its spinoff NTSF:SD:SUV, Fresno would have been a classic. When I first caught it in reruns on Comedy Central in the '90s--fortunately without the laugh track that CBS reportedly tacked on to the miniseries when it rebroadcast it--Fresno felt like it was several minutes too long at an hour per episode (with commercials).

There are so many reasons to be pissed off at Fox--besides one of its cable channels' unusual definitions of the words "fair," "balanced" and "news"--like the fact that Fox owns the MTM Enterprises library and either butchers MTM properties on DVD or Hulu (worst example: the WKRP music clearance fiasco) or doesn't take advantage of reintroducing via DVD hours and hours of great or good MTM shows like Fresno (does Fox own Fresno?--I'm not quite sure) to younger viewers who'd get a kick out of these shows that were around either before they were born or when they were too young to understand why Dr. Johnny Fever always looks so exhausted. So because of that, YouTube is all we can rely on for little glimpses of Fresno.

As you can see from the YouTube clips of Fresno (hey, it's Kramer), one of the highlights of the miniseries is Mel Brooks film score composer John Morris' original music, from Bobbi Jo's fake country songs ("Just because you're a migrant worker don't mean we got a migrant love") to the main title theme, one of the best obscure TV themes of the '80s. Morris' theme morphs from bullfighting music to Big Country score-style Americana. It's amusingly over-the-top and awesome.

Tuesday, 4 May 2010

"Aw hell, Chewbacca": 10 genuinely funny stand-up routines about movies

Patton Oswalt at his second home, the comic shop
Patton Oswalt, one of the few stand-ups who have publicly sworn off Twitter ("I like having radio silence. I think radio silence is an important part of any public figure's day."), did the unthinkable this past weekend when he succumbed to the Twittersphere and started an account. As one can see from his act and his stint as a guest programmer at L.A.'s New Bev Cinema, movies are a topic the Big Fan star and Hollywood script doctor is passionate about, and they've led to some of my favorite Oswalt routines. Maybe we'll get a taste of some more Oswalt material about movies on his new Twitter page. To mark Oswalt's arrival on Twitter, where he's already on a roll and is demonstrating why stand-ups and comedy writers are the best kind of celebrity to follow on Twitter (unlike most other celebs, their tweets are rarely boring or shallow), here are 10 standout routines from the stand-up world about cinema. Four of these routines are Oswalt's.

10. Richard Pryor rewrites The Exorcist
The horror genre has always fascinated the late Pryor's former writing partner Paul Mooney, who's done brilliant jokes about the Frankenstein monster, white filmgoers' fears of the shark from Jaws and movies that skeevily put women in romantic situations with sci-fi monsters. He must have had a hand in writing Pryor's material about The Exorcist, which he and Pryor actually saw together at its Hollywood premiere. When Pryor guest-hosted SNL and brought along Mooney as a sketch writer, they did an amusing Exorcist sketch in which a pair of black priests (Pryor and Thalmus Rasulala) lose their patience with the possessed kid (Laraine Newman), who taunts Rasulala's priest with the cleaned-up-for-TV "Your mama sews socks that smell."



9. Scott Thompson sinks Titanic during an interview on Late Night with Conan O'Brien
"I don't think that to be a leading man, you have to be Harrison Ford, but I do think that you should be able to do at least one push-up. When little Leo finally kisses big Kate, I thought it was a lesbian scene."



8. Robert Klein reenacts every single Our Gang short you've seen
I actually like this routine from the 1973 album Child of the 50's more than "I Can't Stop My Leg." Klein's recreation of the Our Gang score music ("Hal Roach had four tunes that he played over and over again") is priceless.

7. Oswalt wonders what Star Wars would have been like if Nick Nolte won the role he actually auditioned for: Han Solo
"Fuckin' droids, beep, beep..."



6. Oswalt recalls one of the reasons why he left his hometown of Sterling, Virginia
The Blast of Silence-loving film geek gets worked up over the aggravating opinions of an NBC affiliate's out-of-touch film critic ("Yeah, so there's this new movie from Australia... called The Road Warrior. Now let me get this straight. It's the future, there's no gasoline, but everyone's driving around in cars. I don't get it. No stars!"). It's an oddly affecting routine that anyone who's aching to leave the hometown they despise--including right now, yours truly--can identify with.

5. Steve Byrne imagines how Bruce Lee had sex
This is a hilarious little routine that must be watched, not listened to. Why Byrne included it as a track on his 2005 CD Little by Little boggles the mind because 90 percent of it relies on visual gags. Without the visuals, it's like listening to a Marcel Marceau record album.



4. Mario Cantone does an impression of that annoying classroom song from The Birds
I'm disappointed that no one has posted Cantone's Birds routine on YouTube. If you watched a lot of Comedy Central during the late '90s like I did, you might have fond memories of the routine. The channel frequently reran it, yet it never got old. I always dug how instead of the Psycho shower scene or the North by Northwest crop-duster attack, Cantone chose a lesser-known Hitchcock movie moment to mock (and add some profane new lyrics to). And yes, when you watch The Birds, that song really does work your last nerve and make you want to go peck a defenseless hobo's eyes out like he's Suzanne Pleshette.

3. Oswalt wishes he could go back in time and kill George Lucas with a shovel
A lapsed Star Wars fan, Oswalt delivers a terrific argument against prequels. Yet that didn't stop Oswalt from joining the cast of one of them--Caprica.



2. Paul Mooney rips apart white Hollywood
During the long-out-of-print 1993 album Race, Mooney makes you never look at Disney's Beauty and the Beast the same way again ("Don't take your kids to see that shit. Four or five years from now, your kid'll be in the kitchen fucking the dog, singing 'Beauty and the Beast!'") and disses sci-fi and horror filmmakers for both their misogyny and weird fetishes for "exotic" interspecies romances (I wonder what Mooney has to say about Twilight and True Blood). But the best part of Mooney's amazing rant is when he explains why he detests Driving Miss Daisy ("I don't like that coonin' happy slave bullshit"). The movies that Mooney jokes about on the 1993 CD may be old now, but unfortunately, the stereotypes they reinforced still remain. Now if only there were an Asian American stand-up who isn't so subservient to the Man and will go onstage and rant about the Asian American version of all this.



1. Oswalt channels movie producer Robert Evans
I love how Oswalt often picks the most obscure pop culture-related topics for his act (Death Bed: The Bed That Eats is a recent example). An audience favorite at past Oswalt performances was his parody of the little-remembered ESPN radio ads that the Godfather and Rosemary's Baby producer recorded to promote the channel's programming. We see why Oswalt is frequently employed as a punch-up scriptwriter when he lets his imagination run wild with colorful, almost poetic-sounding descriptions of wild escapades with '70s celebrities ("Tom Wopat loved the three F's: food, fun and fisting. We took Gil Gerard out on my cigarette boat Memorial Day Weekend 1978, and I swear to you, over those sweet, savage 72 hours, he turned that poor man into his personal finger puppet.").

Wednesday, 23 December 2009

"On, Donner! On, Blitzen! On, Chuy! On, Tavo! C'mon, Becto!": 10 current favorite Christmas tracks

Alyson Hannigan was looking very Dr. Girlfriend-ish when Harvey Fierstein redubbed her voice in How I Met Your Mother's recent smoking addiction episode.
The following is inspired by a holiday music meme I first saw posted by Matt on Scrubbles.net. Like Matt said in his list, some of us require a bit of acid in our eggnog (or in our DVD players--my favorite holiday movie is The Ref, the film where Kevin Spacey memorably tells his evil mom he'll get her a cross for Christmas so that whenever she feels unappreciated for her sacrifices, she can climb on up and nail herself to it).

10. The Pogues and Kirsty MacColl, "Fairytale of New York"
Now that's my idea of the perfect Pasko song. The cover version with Dr. Girlfriend as Shane MacGowan and the Monarch as MacColl is hilariously fooked up.

9. OutKast, "Player's Ball"
Andre 3000 and Big Boi's very first single was originally a Yuletide joint, in which the Player's Ball happens on Christmas Day instead of "all day e'ryday." The Christmas Day line is removed from the Southernplayalisticadillacmuzik version, but most of the other holiday references remain ("Ain't no chiminies in the ghetto/So I won't be hangin' my socks on no tip").

8. Darlene Love, "Christmas (Baby Please Come Home)"
I first heard this tune during the opening credits of Gremlins. I've grown fond of "Baby Please Come Home" because of Love's annual performance of the Phil Spector-produced standard on Letterman's Christmas shows.

7. Donny Hathaway, "This Christmas"
Everyone from Patti LaBelle to woman-beating douches have covered "This Christmas," but Hathaway's 1970 original will always be the best version. It's mostly because of the thunderous percussion and them funky horns. Earlier this month, the Chicago Sun-Times published a terrific article that contains interesting tidbits about the Chicago native's classic recording, like its unlikely ties to film music (the song's bridge was inspired by Elmer Bernstein's Magnificent Seven theme!).

6. Booker T. & the MGs, "Merry Christmas Baby"
Atlantic's 1991 Soul Christmas compilation is my favorite holiday CD, thanks to the inclusion of "This Christmas," Clarence Carter's "Back Door Santa" and the sizzling Booker T. & the MGs cover of singer Charles Brown's 1947 standard, which was featured in David Sedaris' classic 1992 NPR reading of The Santaland Diaries.

5. Vince Guaraldi Trio, "Skating"
This is the only track on the list that's from a film or TV score. My favorite tune from the Charlie Brown Christmas soundtrack is neither "Christmas Time Is Here" nor "Linus and Lucy." It's the underappreciated "Skating." Guaraldi once said, "I don't think I'm a great piano player." Nah, during "Skating," Guaraldi was a great piano player.

4. The Waitresses, "Christmas Wrapping"
Like in "This Christmas," the horn section sounds so tight during "Christmas Wrapping."

3. Cheech & Chong, "Santa Claus and His Old Lady"
Donde esta Santa Cleese? Another enjoyable Christmas track involving a Latino comedian is Horatio Sanz's "I Wish It Was Christmas Today," which was covered earlier this week by Julian Casablancas and the Roots.

2. Patton Oswalt, "My Christmas Memory"
I lose it every time I hear Oswalt's impression of a slowed-down David Seville from "The Chipmunk Song (Christmas Don't Be Late)."

God, MTV sucks so much now. I miss that '80s MTV Christmas graphic that was animated by the late Keith Haring to the sounds of 'Christmas in Hollis.'
1. Run-DMC, "Christmas in Hollis"
Jam Master Jay's killer "Back Door Santa" sample is a reason why millions of us continue to exclaim "Goddamn, that DJ made my day!" long after his death.